Dark Managarm-Back From Hell-CD-FLAC-2013-VENOMOUS

Release Name: Dark_Managarm-Back_From_Hell-CD-FLAC-2013-VENOMOUS
Artist: Dark Managarm
Album: Back from Hell
Genre: Black Metal
Year: 2013
Tracks: 9
Duration: 00:37:46
Size: 299.3 MB

Tracklist:

1. Dark Managarm – Back From Hell – 5:17 (1121 kbps , 42.36 MB)
2. Dark Managarm – War God Excecration – 4:44 (1123 kbps , 37.97 MB)
3. Dark Managarm – Underworld Glorification – 4:45 (1104 kbps , 37.48 MB)
4. Dark Managarm – Necromancia – 3:33 (1114 kbps , 28.24 MB)
5. Dark Managarm – Plague – 3:39 (1108 kbps , 28.92 MB)
6. Dark Managarm – Blasphemic Humiliation – 2:46 (1099 kbps , 21.68 MB)
7. Dark Managarm – Nocturnal Reaper – 4:06 (1078 kbps , 31.66 MB)
8. Dark Managarm – Misanthopic Armageddon – 4:43 (1089 kbps , 36.75 MB)
9. Dark Managarm – Hell’s Wolves Reing – 4:19 (1110 kbps , 34.23 MB)

Download Links :

http://www.datafile.com/d/TWpZMU1ETTRNemMF9/Dark_Managarm-Back_From_Hell-CD-FLAC-2013-VENOMOUS.rar

or

http://rapidgator.net/file/7ccc1355f1bae14a262f34e3a51630a1/Dark_Managarm-Back_From_Hell-CD-FLAC-2013-VENOMOUS.rar.html

Devilskin-Be Like The River-DELUXE EDITION-CD-FLAC-2016-CATARACT

Release Name: Devilskin-Be_Like_The_River-DELUXE_EDITION-CD-FLAC-2016-CATARACT
Artist: Devilskin
Album: Be Like The River
Genre: Heavy Metal
Year: 2016
Tracks: 13
Duration: 00:49:10
Size: 341.96 MB

Tracklist:

1. Devilskin – In Black – 3:12 (1062 kbps , 24.36 MB)
2. Devilskin – Mountains – 4:20 (972 kbps , 30.15 MB)
3. Devilskin – Pray – 3:10 (1036 kbps , 23.48 MB)
4. Devilskin – Voices – 4:26 (945 kbps , 30 MB)
5. Devilskin – Believe In Me – 2:37 (1024 kbps , 19.15 MB)
6. Devilskin – F.Y.I. – 3:12 (1008 kbps , 23.1 MB)
7. Devilskin – Bury Me – 3:08 (1027 kbps , 22.95 MB)
8. Devilskin – House 13 – 4:23 (954 kbps , 29.88 MB)
9. Devilskin – Grave – 3:41 (1043 kbps , 27.48 MB)
10. Devilskin – Animal – 3:38 (837 kbps , 21.77 MB)
11. Devilskin – Limbs – 5:32 (983 kbps , 38.88 MB)
12. Devilskin – Closer (Bonus Track) – 3:33 (812 kbps , 20.6 MB)
13. Devilskin – We Rise (Bonus Track) – 4:24 (956 kbps , 30.14 MB)

Download Links :

http://www.datafile.com/d/TWpZMU1ETTRORE0F9/Devilskin-Be_Like_The_River-DELUXE_EDITION-CD-FLAC-2016-CATARACT.rar

or

http://rapidgator.net/file/c9b8695c35b900355ac5fa27c59fe384/Devilskin-Be_Like_The_River-DELUXE_EDITION-CD-FLAC-2016-CATARACT.rar.html

Excruciate 666-Rites Of Torturers-CD-FLAC-2013-VENOMOUS

Release Name: Excruciate_666-Rites_Of_Torturers-CD-FLAC-2013-VENOMOUS
Artist: Excruciate 666
Album: Rites of Torturers
Genre: Black Metal
Year: 2013
Tracks: 8
Duration: 00:32:27
Size: 226.35 MB

Tracklist:

1. Excruciate 666 – The Awakening Of The Tyrant – 3:58 (1014 kbps , 28.74 MB)
2. Excruciate 666 – Sign Of Disaster – 4:02 (992 kbps , 28.63 MB)
3. Excruciate 666 – Rites Of Torturers – 4:05 (1001 kbps , 29.23 MB)
4. Excruciate 666 – Sons Of Warfare – 4:18 (975 kbps , 29.94 MB)
5. Excruciate 666 – Tramp To Slaughter – 4:11 (921 kbps , 27.55 MB)
6. Excruciate 666 – Warblood (Special 15th Anno) – 4:36 (966 kbps , 31.8 MB)
7. Excruciate 666 – A Call To Destruction – 4:11 (958 kbps , 28.66 MB)
8. Excruciate 666 – Obscene Perversion In Genocide – 3:10 (961 kbps , 21.79 MB)

Download Links :

http://www.datafile.com/d/TWpZMU1ETTROVEkF9/Excruciate_666-Rites_Of_Torturers-CD-FLAC-2013-VENOMOUS.rar

or

http://rapidgator.net/file/bca08e7efc43f6763fa4f8b633e583b1/Excruciate_666-Rites_Of_Torturers-CD-FLAC-2013-VENOMOUS.rar.html

Necroblood-Collapse Of The Human Race-CD-FLAC-2017-VENOMOUS

Release Name: Necroblood-Collapse_Of_The_Human_Race-CD-FLAC-2017-VENOMOUS
Artist: Necroblood
Album: Collapse of the Human Race
Genre: Black Metal
Year: 2017
Tracks: 10
Duration: 00:44:47
Size: 327.36 MB

Tracklist:

1. Necroblood – Opening – 2:09 (725 kbps , 11.18 MB)
2. Necroblood – Through Limitless Abysses – 4:58 (1068 kbps , 37.91 MB)
3. Necroblood – Evil Against Evil – 4:02 (1079 kbps , 31.12 MB)
4. Necroblood – Sons Of Genocide – 4:45 (1080 kbps , 36.65 MB)
5. Necroblood – Glorification Through Destruction – 4:17 (1035 kbps , 31.68 MB)
6. Necroblood – Essential Collapse – 3:02 (845 kbps , 18.28 MB)
7. Necroblood – Baptised By Devil’s Cum – 3:46 (1064 kbps , 28.66 MB)
8. Necroblood – The Sadistik Hunt – 5:34 (988 kbps , 39.33 MB)
9. Necroblood – Operation Gomorrah – 4:56 (1050 kbps , 37.08 MB)
10. Necroblood – The Omen – 7:25 (1045 kbps , 55.45 MB)

Download Links :

http://www.datafile.com/d/TWpZMU1ETTROVGsF9/Necroblood-Collapse_Of_The_Human_Race-CD-FLAC-2017-VENOMOUS.rar

or

http://rapidgator.net/file/e2765ce2f76b754c6ac4ff0d6fa51405/Necroblood-Collapse_Of_The_Human_Race-CD-FLAC-2017-VENOMOUS.rar.html

VA-Die Bank IV-(5054196-7814-2-2)-CD-FLAC-2015-WRE

Release Name: VA-Die_Bank_IV-(5054196-7814-2-2)-CD-FLAC-2015-WRE
Artist: VA
Album: Die Bank IV
Genre: Other
Year: 2015
Tracks: 17
Duration: 01:04:01
Size: 386.24 MB

Tracklist:

1. Jamie Cullum – It Ain’t Necessarily So – 4:32 (742 kbps , 24.08 MB)
2. Al Green – Light My Fire – 3:56 (759 kbps , 21.37 MB)
3. Kovacs – I’ve Seen That Face Before (Libertango) – 3:10 (711 kbps , 16.13 MB)
4. Martine Girault – Revival (Bank IV Edit) – 3:32 (862 kbps , 21.8 MB)
5. Matt Monro – Honey On The Vine – 2:18 (829 kbps , 13.59 MB)
6. Abbey Lincoln – Afro Blue – 3:18 (798 kbps , 18.81 MB)
7. Aaron Neville – Hercules – 3:41 (902 kbps , 23.8 MB)
8. Nostalgia 77 Feat. Alice Russell – Seven Nation Army – 4:22 (732 kbps , 22.84 MB)
9. Live Tropical Fish – Time Is Moving – 4:05 (959 kbps , 28.08 MB)
10. Quincy Jointz Feat. Judith Menner – Get Up For Da Better – 4:53 (880 kbps , 30.73 MB)
11. L’aupaire – Rollercoaster Girl – 3:57 (779 kbps , 22 MB)
12. Shivaree – Goodnight Moon – 4:05 (992 kbps , 28.96 MB)
13. Yma Sumac – Gopher Mambo – 2:17 (767 kbps , 12.53 MB)
14. Nitin Sawhney Feat. Natty – Days Of Fire – 3:14 (905 kbps , 20.97 MB)
15. Soel – Le Vicomte – 5:22 (849 kbps , 32.61 MB)
16. Stretch – Why Did You Do It? – 3:31 (970 kbps , 24.4 MB)
17. Deee-Lite – Groove Is In The Heart – 3:53 (848 kbps , 23.52 MB)

Download Links :

http://www.datafile.com/d/TWpReE5EYzJOakUF9/VA-Die_Bank_IV-(5054196-7814-2-2)-CD-FLAC-2015-WRE.rar

or

http://rapidgator.net/file/382cc28364b5d24de78ad2fd80b35ab5/VA-Die_Bank_IV-(5054196-7814-2-2)-CD-FLAC-2015-WRE.rar.html

VA-Die Bank I Day and Night-(5054196-7917-2-8)-2CD-FLAC-2015-WRE

Release Name: VA-Die_Bank_I_Day_and_Night-(5054196-7917-2-8)-2CD-FLAC-2015-WRE
Artist: VA
Album: Die Bank I Day & Night
Genre: Other
Year: 2015
Tracks: 12
Duration: 01:54:22
Size: 682.09 MB

Tracklist:

1. Aretha Franklin – Day Dreaming – 3:59 (724 kbps , 20.61 MB)
2. Esther Phillips – And I Love Him – 2:39 (888 kbps , 16.85 MB)
3. William Devaughn – Be Thankful For What You Got – 7:10 (818 kbps , 41.95 MB)
4. Tony Joe White – Rainy Night In Georgia – 3:38 (805 kbps , 20.89 MB)
5. Lou Rawls – Southside Blues/Tobacco Road (Medley – Live) – 5:14 (849 kbps , 31.79 MB)
6. De Phazz – Hero Dead And Gone – 4:59 (915 kbps , 32.63 MB)
7. Shirley Bassey – Light My Fire (1994 Remastered Version) – 3:28 (822 kbps , 20.34 MB)
8. The Spinners – It’s A Shame – 3:08 (706 kbps , 15.83 MB)
9. Terry Callier – Do It Again – 4:53 (932 kbps , 32.6 MB)
10. Herbie Hancock – Cantaloupe Island – 5:29 (968 kbps , 37.97 MB)
11. The Beginning Of The End – Funky Nassau Part 1 – 3:11 (759 kbps , 17.3 MB)
12. Soel – My Singing Soul – 6:58 (755 kbps , 37.64 MB)
13. Oscar Brown Jr. – Brother Where Are You (Matthew Herbert Remix) – 4:05 (786 kbps , 22.92 MB)
14. Nighthawks – Receptions In Brazil – 5:11 (787 kbps , 29.19 MB)
15. Galliano – Totally Together – 3:49 (783 kbps , 21.39 MB)
16. Leela James – Music – 4:05 (821 kbps , 23.96 MB)
17. Jestofunk Feat. CeCe Rogers – The Ghetto – 7:06 (816 kbps , 41.4 MB)
18. Sarah Vaughan / Gotan Project – Whatever Lola Wants (Gotan Project Remix) – 4:41 (777 kbps , 26.07 MB)
19. Donny Hathaway – Little Ghetto Boy (Seek Remix) – 5:23 (729 kbps , 28.07 MB)
20. Eddie Harris – Bold And Black (DJ Nu-Mark Remix) – 3:40 (810 kbps , 21.28 MB)
21. Tony Touch Feat. Keisha & Pam Of Total – I Wonder Why (He’s The Greatest DJ) (MAW Vocal Mix) – 8:59 (938 kbps , 60.24 MB)
22. Nina Simone / Felix Da Housecat – Sinnerman (Felix Da Housecat’s Heavenly House Mix) – 4:36 (769 kbps , 25.32 MB)
23. Curtis Mayfield – Move On Up (Eric Kupper Vocal Mix) – 8:10 (957 kbps , 55.87 MB)

Download Links :

http://www.datafile.com/d/TWpReE5EYzJOVEUF9/VA-Die_Bank_I_Day_and_Night-(5054196-7917-2-8)-2CD-FLAC-2015-WRE.rar

or

http://rapidgator.net/file/a00e36415cbf172dd167523eefee2458/VA-Die_Bank_I_Day_and_Night-(5054196-7917-2-8)-2CD-FLAC-2015-WRE.rar.html

Artist: Steve Hackett
Album: Albums Collection
Genre: Rock
Year: 1979-2015
Size: ~ 13.9 gb
Source: CDs
Format: FLAC (image + .cue)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

Steve Hackett is best known as the guitarist with Genesis during their best years as both a progressive and commercial band, across ten albums of their history. His arrival in the group’s lineup at the start of 1971, replacing original guitarist Anthony Phillips, provided the group with the last ingredient that it needed for success. In the years since, while Phil Collins may have enjoyed pop/rock stardom and an acting career, and his other bandmates have had their periodic successes, Hackett has come the farthest as a star performer and composer in his own right.

The RoadHackett’s earliest experience in playing professionally came with groups named Canterbury Glass and Sarabande, making mainstream rock with a progressive/psychedelic edge. It was as a studio musician that he excelled, recording with a band called Quiet World in 1970. They were signed to the Pye Records label and released an LP titled The Road on that company’s progressive rock-oriented Dawn Records label. In late 1970, Hackett crossed paths with Genesis when he placed an advertisement in search of like-minded progressive musicians and Peter Gabriel responded — the group’s original guitarist, Anthony Phillips, had departed and they needed a replacement. He saw them in concert with a temporary substitute in the guitarist’s spot and approached them about joining. Hackett was in the lineup in January of 1971 and was quickly established as an integral part of their sound, though his concert work at their earliest gigs suffered from the fact that Hackett had little experience playing on-stage, which initially made him nervous. He subsequently became not only an essential part of the Genesis sound, but also of their image; his bespectacled figure, seated and bent over his instrument in studied concentration, helped to set the group apart from flashier progressive rock outfits of the era.
Foxtrot His skill and vast range opened up the group’s sound in new ways during their progressive rock phase; coupled with Phil Collins’ drumming in the mix, Genesis turned into a true virtuoso unit, as revealed on the albums Foxtrot, Genesis Live, Selling England by the Pound, and The Lamb Lies Down on Broadway, all among the finest progressive rock LPs ever conceived. Then, following the departure of lead singer Gabriel and his replacement by Collins, and their move toward a more commercial sound, Hackett proved equally adept; the difference was that their albums were now selling in the millions instead of the hundreds of thousands, and he was getting far more public exposure than ever before.
Voyage of the AcolyteHackett’s first solo album, Voyage of the Acolyte, dated from 1975 and was, in many ways, almost a lost Genesis album, featuring Collins and Michael Rutherford in its lineup of musicians. Coming out as it did in the wake of Gabriel’s departure from the group, it was a cause of some strain among the members, despite their participation, but Hackett stayed with the band through the tour behind the release of Wind & Wuthering, making his last appearance with the group on the Seconds Out live album, ironically just as the band was ascending into the top ranks of concert attractions and recording acts. Hackett’s first post-Genesis solo album was Please Don’t Touch!, which deliberately hewed very far away from his old group’s progressive sound and departed completely from Voyage of the Acolyte as well. He also put together his first touring band, which included Pete Hicks on vocals and John Shearer on drums, as well as brother John Hackett on flute and keyboards, with whom he subsequently recorded the Spectral Mornings album.
DefectorHackett’s sound advanced rapidly in the ’80s, through albums such as Defector — a fascinating musical/political fantasy — and the pop-oriented Cured. His concert work kept him busy throughout Europe, and the expanding fame of his old band led a steady stream of listeners to check out the work of the former Genesis guitarist, whose playing and personality were so prominent on those classic early albums. He also reunited with Peter Gabriel and Michael Rutherford, and then with all of his ex-bandmates for a pair of 1982 charity concerts. The following year he enjoyed a very successful European single in the guise of “Cell 151” from the Highly Strung LP, which helped propel that album to hit status. The mid-’80s saw him broaden his sound to include various elements of “world music” in his studio work, and he also to begin playing smaller, more intimate halls where his guitar skills could be better appreciated.
Time Lapse In 1986, Hackett hooked up with Yes guitarist Steve Howe to form GTR, a progressive rock unit that became a favorite of MTV and the rock press, generating a hit single (“When the Heart Rules the Mind”) in America and a platinum-selling album for Arista Records; GTR followed these up with an international tour. Hackett resumed his solo career in 1987, but with the momentum of GTR behind him, he now found crowds of tens of thousands eager to hear him play classical-style acoustic guitar and was becoming the arena rock version of Christopher Parkening or guitarist John Williams. His next major release was Time Lapse, a live retrospective of his work from several decades of music-making.
Blues with a Feeling In 1994, Hackett surprised most of his fans by turning back to his roots with Blues with a Feeling, an album built around the sounds of blues guitar and harmonica that harked back to his boyhood. This pointed to one of the ironies of Hackett’s career: as a member of Genesis, he was presumed by most fans to have been classically trained, but his music was actually derived from a multitude of influences, to which he’s always extended himself in order to embrace and absorb; thus, although originally a rock guitarist with blues roots, Hackett has performed with the London Symphony Orchestra and composed instrumental classical music based on Shakespeare’s A Midsummer Night’s Dream for EMI’s Angel Records label.
Watcher of the Skies: Genesis Revisited Even as his composing career ballooned in the ’90s, he also began playing more concerts and turned back to his progressive rock roots by performing Genesis’ classic repertoire. Working with a group that included such luminaries as ex-King Crimson alumni Ian McDonald and John Wetton, not to mention Genesis’ Chester Thompson, as well as the Royal Philharmonic Orchestra, Hackett released a live album titled Genesis Revisited, which was precisely that. During the ’90s, he fronted a group known as Steve Hackett & Friends, including former members of King Crimson, who had revived their classic progressive rock repertoire in dramatic new concert form, on CD and concert video.
To Watch the StormsHackett has continued to record well into the new century; numerous solo albums include To Watch the Storms, Metamorpheus, and Wild Orchids. Live Rails was released in 2011 and was followed by the moderately successful studio album Beyond the Shrouded Horizon later that year. In 2012, Hackett collaborated with Chris Squire from Yes under the moniker Squackett. Their album A Life Within a Day featured seasoned session drummer Jeremy Stacey, who was fresh from his work with Noel Gallagher’s High Flying Birds. That same year, Hackett released Genesis Revisited II, another collection of reworked early Genesis material, which became his most successful solo album to date.
Wolflight He returned in 2015 with his 26th solo effort, Wolflight, and subsequently set out on the Acolyte to Wolflight with Genesis Revisited Tour to promote the record and to celebrate the 40th anniversary of his first solo album. A live recording of the tour’s stop in Liverpool was released in 2016. Hackett returned to the studio with wife Jo and co-producer Roger King to develop and record his follow-up to Wolflight. Taking on a more world music-influenced feel, the album, The Night Siren, saw Hackett adding a different dimension to his sound, featuring vocals from Kobi Farhi and Mira Awad as well as introducing a variety of musical instruments from around the world. – Artist Biography by Bruce Eder

Tracklist:

1979 – Steve Hackett – Spectral Mornings
1981 – Steve Hackett – Cured 2007 Remaster
1984 – Steve Hackett – Till We Have Faces
1985 – Steve Hackett – Highly Strung
1986 – Steve Hackett – Feedback 86
1993 – Steve Hackett – Guitar Noir
1994 – Steve Hackett – Bay Of Kings
1994 – Steve Hackett – Blues With A Feeling
1996 – Steve Hackett – Watcher of the Skies (Genesis Revisited)
1997 – Steve Hackett – A Midsummer Nights Dream
1997 – Steve Hackett – Momentum
1998 – Steve Hackett – Darktown
2003 – Steve Hackett – To Watch The Storms (Special Edition)
2005 – Steve Hackett – Defector 2005 Remaster
2005 – Steve Hackett – Metamorpheus
2005 – Steve Hackett – Please Dont Touch! 2005 Remaster
2005 – Steve Hackett – Voyage Of The Acolyte 2005 UK Remaster
2006 – Steve Hackett – Wild Orchids (Re-Issue 2013)
2008 – Steve Hackett – Tribute
2010 – Steve Hackett – Out of the Tunnels Mouth
2011 – Steve Hackett – Beyond the Shrouded Horizon Special Edition (Disc 1)
2011 – Steve Hackett – Beyond the Shrouded Horizon Special Edition (Disc 2)
2012 – Steve Hackett – Genesis Revisited II – Disc 1
2012 – Steve Hackett – Genesis Revisited II – Disc 2
2015 – Steve Hackett – Wolflight

Download:

http://www.datafile.com/d/TWpZME9ESTRORFUF9/1979_Steve_Hackett__Spectral_Mornings.rar
http://www.datafile.com/d/TWpZME9ESTRORE0F9/1981_Steve_Hackett__Cured_2007_Remaster.rar
http://www.datafile.com/d/TWpZME9ESTRORGMF9/1984_Steve_Hackett__Till_We_Have_Faces.rar
http://www.datafile.com/d/TWpZME9ESTRORFkF9/1985_Steve_Hackett__Highly_Strung.rar
http://www.datafile.com/d/TWpZME9ESTRORGcF9/1986_Steve_Hackett__Feedback_86.rar
http://www.datafile.com/d/TWpZME9ESTRORGsF9/1993_Steve_Hackett__Guitar_Noir.rar
http://www.datafile.com/d/TWpZME9ESTROVEEF9/1994_Steve_Hackett__Bay_Of_Kings.rar
http://www.datafile.com/d/TWpZME9ESTROVEUF9/1994_Steve_Hackett__Blues_With_A_Feeling.rar
http://www.datafile.com/d/TWpZME9ESTROVEkF9/1996_Steve_Hackett__Watcher_of_the_Skies_Genesis__Revisited.rar
http://www.datafile.com/d/TWpZME9ESTROVE0F9/1997_Steve_Hackett__A_Midsummer_Nights_Dream.rar
http://www.datafile.com/d/TWpZME9ESTROVFEF9/1997_Steve_Hackett__Momentum.rar
http://www.datafile.com/d/TWpZME9ESTROVFUF9/1998_Steve_Hackett__Darktown.rar
http://www.datafile.com/d/TWpZME9ESTROakkF9/2003_Steve_Hackett__To_Watch_The_Storms_Special_Edition.rar
http://www.datafile.com/d/TWpZME9ESTROVGcF9/2005_Steve_Hackett__Defector_2005_Remaster.rar
http://www.datafile.com/d/TWpZME9ESTROakUF9/2005_Steve_Hackett__Metamorpheus.rar
http://www.datafile.com/d/TWpZME9ESTROalkF9/2005_Steve_Hackett__Please_Dont_Touch_2005_Remaster.rar
http://www.datafile.com/d/TWpZME9ESTROamcF9/2005_Steve_Hackett__Voyage_Of_The_Acolyte_2005_UK_Remaster.rar
http://www.datafile.com/d/TWpZME9ESTROelEF9/2006_Steve_Hackett__Wild_Orchids_ReIssue_2013.rar
http://www.datafile.com/d/TWpZME9ESTROamsF9/2008_Steve_Hackett__Tribute.rar
http://www.datafile.com/d/TWpZME9ESTROemsF9/2010_Steve_Hackett__Out_of_the_Tunnels_Mouth.rar
http://www.datafile.com/d/TWpZME9ESTRPREEF9/2011_Steve_Hackett__Beyond_the_Shrouded_Horizon_Special_Edition_2CD.rar
http://www.datafile.com/d/TWpZME9ESTVNREEF9/2012_Steve_Hackett__Genesis_Revisited_II_2CD.rar
http://www.datafile.com/d/TWpZME9ESTRPRFUF9/2015_Steve_Hackett__Wolflight.rar

or:

http://rapidgator.net/file/a3a3c73081e1da3fb89884070cca7f9d/1979_Steve_Hackett__Spectral_Mornings.rar.html
http://rapidgator.net/file/2a758b5004f7010a5008355d9579f456/1981_Steve_Hackett__Cured_2007_Remaster.rar.html
http://rapidgator.net/file/70b7d602289b848752cc3c423481ba31/1984_Steve_Hackett__Till_We_Have_Faces.rar.html
http://rapidgator.net/file/9935a9195fee51229582b35e3b8f9915/1985_Steve_Hackett__Highly_Strung.rar.html
http://rapidgator.net/file/a490bdfc63dd026792c92004514e85db/1986_Steve_Hackett__Feedback_86.rar.html
http://rapidgator.net/file/29c18adc73a0e18dde3fe5551bd9c1e1/1993_Steve_Hackett__Guitar_Noir.rar.html
http://rapidgator.net/file/b5b6698a6d0f2a70366919fa5df4c684/1994_Steve_Hackett__Bay_Of_Kings.rar.html
http://rapidgator.net/file/597cfe1dd46da1a9b73722d1d9929ab2/1994_Steve_Hackett__Blues_With_A_Feeling.rar.html
http://rapidgator.net/file/27f91e64806c4ed1633fdcbf29a69dac/1996_Steve_Hackett__Watcher_of_the_Skies_Genesis__Revisited.rar.html
http://rapidgator.net/file/d340d73bc58123ffd3d0e962d9d46d02/1997_Steve_Hackett__A_Midsummer_Nights_Dream.rar.html
http://rapidgator.net/file/81dc13796f075d8c2fa4e1d88dacff13/1997_Steve_Hackett__Momentum.rar.html
http://rapidgator.net/file/3bcba3dcdfcc0aae0d47bc6308725f3d/1998_Steve_Hackett__Darktown.rar.html
http://rapidgator.net/file/96e87894e31739eb542adfc4a640d72c/2003_Steve_Hackett__To_Watch_The_Storms_Special_Edition.rar.html
http://rapidgator.net/file/35c1547c21970142a256f6e402d77d1d/2005_Steve_Hackett__Defector_2005_Remaster.rar.html
http://rapidgator.net/file/bf552054aa2aacde5a0e64893db3a3d3/2005_Steve_Hackett__Metamorpheus.rar.html
http://rapidgator.net/file/179af252b496a0585b29a0dbeb9dd5fa/2005_Steve_Hackett__Please_Dont_Touch_2005_Remaster.rar.html
http://rapidgator.net/file/3e123382c72a0c6c07515b732ff3bd17/2005_Steve_Hackett__Voyage_Of_The_Acolyte_2005_UK_Remaster.rar.html
http://rapidgator.net/file/62479f4d42e7e84dbf43a528a3488df7/2006_Steve_Hackett__Wild_Orchids_ReIssue_2013.rar.html
http://rapidgator.net/file/55c85574f8f6babd39635455b9a814f8/2008_Steve_Hackett__Tribute.rar.html
http://rapidgator.net/file/b1d9079081367f515aa82669151caba6/2010_Steve_Hackett__Out_of_the_Tunnels_Mouth.rar.html
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Artist: Third Eye Blind
Album: Albums Collection
Genre: Alternative
Year: 1997-2016
Size: ~ 2.55 gb
Source: CDs, Digital download
Format: FLAC (tracks)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

Although often lumped into the post-grunge category, Third Eye Blind sported a brighter sound than many of their late-’90s peers, taking as much influence from classic pop/rock traditions as the angst-ridden music that dominated the decade. The group scored its first hit in 1997, when their debut single “Semi-Charmed Life” cracked the Top 10. Third Eye Blind built upon that success throughout the following three years, releasing a number of singles (three of which cracked the Top 10) while touring with the likes of U2 and Oasis. After taking a break during the early 2000s, the band returned in 2009 with its fourth studio album, Ursa Major.
Third Eye Blind hails from San Francisco, where singer Stephan Jenkins made his name as a solo musician after earning an English degree from the University of California at Berkeley. Jenkins soon decided to piece a band together. After several lineups failed to gel, former Fungo Mungo bassist Arion Salazar joined the group, which Jenkins had named Third Eye Blind (in reference to the metaphysical concept of a mind’s eye). At one of the band’s early shows, guitarist Kevin Cadogan — a former student of Joe Satriani who later became involved in the northern California ska and punk scenes — introduced himself to Jenkins. Cadogan subsequently joined Third Eye Blind in late 1995, bringing along former Counting Crows drummer Brad Hargreaves as well.

As Third Eye Blind worked on cementing its sound, Jenkins began earning major-label attention through his production of the Braids’ cover of Queen’s “Bohemian Rhapsody,” which became an international hit. He signed a publishing deal shortly afterward, reported to be the largest such deal ever presented to an unreleased artist. Meanwhile, Third Eye Blind cultivated a dedicated fan base by playing the Bay Area frequently, and the group’s original 14-song demo attracted attention from major labels. The buzz continued to build when the musicians finagled their way into a prized opening slot for Oasis’ April 1996 concert at the Civic Auditorium. The group was still unsigned at the time, but following their well-received performance (which included an encore — a rare opportunity for an opening band), Third Eye Blind became the subject of a bidding war.

Third Eye Blind The band eventually signed with Elektra/Asylum, a label that afforded them a considerable degree of artistic freedom. Jenkins was tapped as the band’s producer and received a production deal to help develop new groups, but his top priority remained Third Eye Blind. With Jenkins handling production studies, the band recorded their eponymous debut in San Francisco with the assistance of Eric Valentine, an engineer who had also worked on their early demos. The self-titled Third Eye Blind was released in the spring of 1997; by that summer, the introductory single “Semi-Charmed Life” had become a chart-topping modern rock hit. Spawning several more successful singles (including “How’s It Going to Be” and “Jumper”), the album broke into the Billboard Top 200 and remained there for over a year, establishing Third Eye Blind as one of the most popular bands of the late ’90s.
BlueBlue followed in 1999 and sold 150,000 copies within a month of its release. Although fans heralded it as the band’s strongest album, only one song — the sprightly “Never Let You Go” — matched the success of the band’s past singles. Tours across the globe followed throughout 2000, but by the time 2001 rolled around, the band had lost a crucial member (guitarist Cadogan, who co-wrote much of the band’s material before exiting the lineup) and opted for some time off. Tony Fredianelli soon climbed aboard as the band’s replacement guitarist, and Third Eye Blind turned its attention to several charity events. They played shows in support of the Tiger Woods Foundation and helped organize Breathe, a performance that promoted breast cancer awareness.
Out of the Vein By 2003, Third Eye Blind resumed their schedule with the release of their third studio album, Out of the Vein. Featuring the single “Blinded,” the album initially debuted at number 12 on the Billboard 200 chart. Nonetheless, due in part to poor marketing, a side effect of Elektra’s merger with Atlantic, Out of the Vein ultimately failed to ignite the same commercial sparks as its predecessor. Undeterred, the band quickly began work on a follow-up, but Jenkins’ lengthy battle with writer’s block slowed the production. In the interim, they released a 2006 best-of compilation and continued to tour. Finally, on the heels of the group’s tour of Japan in 2008, they released the digital EP Red Star, featuring the single “Non-Dairy Creamer.”
The following year, they returned with their long-awaited fourth album, Ursa Major. Produced by Jenkins and released on the band’s own Mega Collider Records, the album included two singles in “Don’t Believe a Word” and “Bonfire.” At the end of the group’s tour in 2010, they parted ways with Fredianelli, who was replaced by Irish guitarist Kryz Reid.

Dopamine Over the next several years, Third Eye Blind continued to tour and work on new material. A free digital single, “If There Ever Was a Time,” released in support of the Occupy Wallstreet Movement, appeared in 2011. In 2015, they released their fifth studio album, Dopamine. Once again produced by Jenkins, the album was the first with bassist Alex LeCavalier, who’d joined as a full-time member in 2013. Anchored by the single “13thirteen on the Billboard 200.
We Are Drugs In March 2016, Third Eye Blind garnered attention for remarks Jenkins made criticizing the Republican Party while playing a benefit show for the charity organization “Musicians on Call” at Cleveland’s Rock & Roll Hall of Fame. While not technically a political event, the show was held in close proximity to the Republican National Convention with Republicans in attendance. The following October, the band released the EP We Are Drugs, featuring the politically and socially minded single “Cop vs. Phone Girl.” – Artist Biography by Stephen Thomas Erlewine

Tracklist:

1997 – Third Eye Blind – Third Eye Blind
1999 – Third Eye Blind – Blue
2003 – Third Eye Blind – Out of the Vein
2006 – Third Eye Blind – A Collection
2009 – Third Eye Blind – Ursa Major
2016 – Third Eye Blind – We Are Drugs

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Artist: The Orb
Album: Discography
Genre: Electronic
Year: 1991-2017
Size: ~ 20 gb
Source: CDs
Format: FLAC (tracks + .cue)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

The Orb virtually invented the electronic genre known as ambient house, resurrecting slower, more soulful rhythms and providing a soundtrack for early morning ravers once the clubs closed their doors. The group popularized the genre as well by appearing on the British chart show Top of the Pops and hitting number one in the U.K. with the 1992 album U.F.Orb. Frontman Dr. Alex Paterson’s formula was quite simple: he slowed down the rhythms of classic Chicago house and added synth work and effects inspired by ’70s ambient pioneers Brian Eno and Tangerine Dream. To make the whole a bit more listenable — as opposed to danceable — obscure vocal samples were looped, usually providing a theme for tracks that lacked singing.
Paterson had worked as a roadie for Killing Joke during the ’80s, and began to be influenced by the explosion of Chicago house music in England during the mid- to late ’80s. He joined the A&R department of EG Records — the home of Brian Eno himself — and first recorded as the Orb with Jimi Cauty (who had played in the Killing Joke side project Brilliant and later gained fame as half of the KLF). The duo’s first release as the Orb, a failed acid house anthem named “Tripping on Sunshine,” appeared on the 1988 compilation album Eternity Project One. In May 1989, the Orb released the Kiss EP, a four-tracker dedicated to — and heavily sampled from — New York’s KISS-FM. Paterson had begun to DJ in London around this time, and Paul Oakenfold recruited him to man Land of Oz, the chillout room at his club Heaven.

Rainbow Dome MusickPaterson’s ambient sets incorporated a wide array of samples and sound effects, ranging from BBC nature recordings to NASA space broadcasts and special effects. With those samples mixed underneath the music of ambient pioneers such as Eno and Steve Hillage, his sets became popular alternatives for dancefloor victims and worn-out club kids. Hillage happened to be in the room one night when Paterson sampled his Rainbow Dome Musick album. The two became friends and later recorded together, Hillage contributing guitar to the Orb’s “Blue Room” single and Paterson working on the debut album by Hillage’s System 7 project (or 777, as it is known in the States due to copyright problems with Apple).
Peel SessionsThe Orb’s first actual foray into ambient house appeared in October 1989 on Paterson’s WAU!/Mr. Modo label. The 22-minute single “A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld,” which sampled ocean noises and Minnie Riperton’s “Loving You,” actually hit the U.K. charts that year. The single became popular with indie kids as well as club DJs, and earned Paterson and Cauty the chance to re-record the song in December 1989 for a John Peel session. (That version was released two years later, alongside their second session, on the Orb’s Peel Sessions album.)
In early 1990, Dave Stewart asked Paterson and Cauty to remix his single “Lilly Was Here”; the track hit the U.K.’s Top 20, and the Orb’s remix work soon became just as popular as their original material. Erasure, Depeche Mode, Yello, Primal Scream, and more than 20 other bands eventually received the remix treatment before Paterson began to cut back his remixing work in 1992. (One of the only outside remixes of Orb material occurred around this time when breakbeat pioneers Coldcut remixed the Kiss EP for a U.S.-only single.)

SpacePaterson and Cauty had been recording an album during the turn of 1989-1990, but the two split in April 1990 — a result of Paterson’s fear that the Orb had become known more as a KLF side project than an original act. Cauty stripped Paterson’s contribution to the recordings and released the eponymous album — credited simply as Space — later that year. (Cauty released another ambient album that year: Chill Out, this time with his KLF partner Bill Drummond.) In the meantime, Paterson had been working with Youth (from Killing Joke) on the new track “Little Fluffy Clouds,” with a melody incorporated from composer Steve Reich. The single appeared in November 1990, sparking the wrath of the sampled Rickie Lee Jones, whose dialogue with LeVar Burton — from the PBS children’s program Reading Rainbow — was sampled for the chorus and title of the track; Big Life later settled out of court for an undisclosed sum. Though the single failed to place in the charts, its laid-back vibe made it a big hit on the dancefloor.
Youth’s other commitments made it impossible for him to become a permanent member of the Orb, so Paterson decided to recruit Kris Weston (nicknamed Thrash for his punk/metal roots), a young studio engineer who worked on “Little Fluffy Clouds” and had recently left his previous band, Fortran 5. The Orb performed live for the first time just after the pairing, early in 1991 at London’s Town & Country 2 with Hillage on guitar. The group’s live dates soon became their forte, breaking down the boundaries that had previously separated electronic music from rock. An Orb show encompassed the best elements of performance hall and club, with colorful light shows and visuals, and a relaxed, positive groove rarely found in electronic circles.

The Orb’s Adventures Beyond the Ultraworld All this was fine and good, but the Orb had not yet released an album, the vehicle that virtually all modern musicians use to make artistic statements. Finally, in April 1991, The Orb’s Adventures Beyond the Ultraworld was released in England to considerable critical acclaim. Its popularity extended to the general public as well, pushing the double album into Great Britain’s Top 30 LP charts. By mid-1991, the Orb had signed a deal to release Ultraworld in the States, but were forced to edit the album down to one disc. (The full double-disc version was later released in the U.S. by Island.) Paterson and Thrash toured Europe during 1991, and compiled the Orb’s first two Peel Sessions that November. One month later, the duo released The Aubrey Mixes as a Christmas special. The album, a remix compilation with reworkings by Hillage, Youth, and Cauty, was deleted on the day of its release, but still managed to place in the U.K. Top 50.
In June 1992, the new single “Blue Room” hit the British Top Ten. The longest single in chart history at just under 40 minutes, it earned the Orb a spot on Top of the Pops, where they ruminated over a chess game and waved at the camera while a three-minute edit of the single played in the background. Released in July, the album U.F.Orb concentrated not on space, but the beings who inhabit it. (The actual “Blue Room” is an installation where the U.S. government allegedly keeps the relics of a 1947 saucer crash outside Roswell, New Mexico.) It hit number one on the British album charts, and also did well with critics, who praised it and the duo’s sold-out tour of England.

Adventures Beyond the Ultraworld: Patterns & Textures Version The non-album single “Assassin” — originally slated to feature vocals from Primal Scream’s Bobby Gillespie — followed in October, and it reached number 12 on the British charts. The U.S. release of U.F.Orb appeared two months later, with initial copies including a second disc with the full version of “Blue Room” plus mixes of “Assassin.” A limited-LP release of U.F.Orb in England included a live recording of the Orb’s appearance at London’s Brixton Academy in 1991. (The date was later released on video with an added CD soundtrack as Adventures Beyond the Ultraworld: Patterns and Textures.)
Live 93 Though the Orb had released several hours of recordings and many remixes during their first three years of existence, the beginning of 1993 prompted a dry spell of over a year-and-a-half. The problem wasn’t a lack of material; Paterson and Thrash continued to record, but Big Life Records had begun a controversial campaign to reissue several early singles. The Orb threatened to release no new material until the label promised to cease and desist, and negotiations stalled while the duo looked to opt out of their contract. In the meantime, Big Life spent 1993-1994 reissuing five CD singles and two other 12″ releases, including “Little Fluffy Clouds” (which hit the British Top Ten), “Huge Ever Growing Pulsating Brain,” and “Perpetual Dawn” (the second single from Ultraworld). Paterson finally signed an international deal with Island in 1993 and released the stopgap Live 93 later that year. The double-disc set — which hit number 23 in the album charts — included highlights from Orb appearances in Europe and Japan, and featured another clever dig at Pink Floyd: the cover has a large stuffed sheep suspended over a power station, la Floyd’s Animals cover.
Pomme FritzThe Orb’s first studio release for Island appeared in June 1994. Pomme Fritz (a “little album”) was quite a departure from ambient house, the field that had since caught up with Paterson’s revolution of the late ’80s. The album has a schizophrenic quality that portrays the group caught between two worlds: the pastoral ambience of the first two albums and the harsher, almost industrial rhythms that the Orb were pushing forward. Pomme Fritz made number six on the British charts, but critics hated it, charging that Paterson had finally disappeared up his own arse. They even compared him to Pink Floyd’s own Syd Barrett, who masterminded the psychedelic classic Piper at the Gates of Dawn, but later slipped out of the band as the world’s first — and most popular — acid casualty.
Pomme Fritz was also a watershed in that the role of Kris Weston had diminished greatly. Credited on Pomme Fritz only as an engineer, Weston did appear with Paterson on the August 1994 side project FFWD, the collaboration between Robert Fripp, Orb members Paterson and Weston, and Orb contributor Thomas Fehlmann (hence the name: Fripp, Fehlmann, Weston, and Doctor). By early 1995, Weston finally left the Orb to devote time to his own projects. Before the duo separated, however, they teamed for the Orb’s most famous live appearance: on a rave bill at Woodstock 2 with Orbital, Aphex Twin, and Deee-Lite.

Orbus Terrarum Taking up the slack from Weston’s departure was Thomas Fehlmann. The Orb had previously remixed a single from his Sun Electric project, and most of Pomme Fritz was recorded at his Berlin studios. Finally, almost three years after U.F.Orb, the new and improved group released the Orb’s third studio LP, Orbus Terrarum. With a concept and a sound rooted solidly on terra firma, the album’s dense rhythms and return to natural samples heralded a turn away from the cosmic fascination within ambient house — which had been nurtured in large part by Ultraworld and U.F.Orb. During 1995, Paterson and Fehlmann mounted an ambitious world tour. After the release of a double-disc remix compilation, the Orb returned to the great beyond with the spacy sounds of 1997’s Orblivion. The retrospective U.F.Off followed in 1998, and though Paterson and company finished their fifth studio effort, Cydonia, soon after, Island delayed its release until the new millennium.
Bicycles & Tricycles A shift in labels was in order, so 2004’s Bicycles & Tricycles found the Orb on Sanctuary. Working their next label change into the album title, Okie Dokie It’s the Orb on Kompakt appeared at the end of 2005, as did the first volume in the rarities compilation series Orbsessions, released by the Killing Joke-associated label Malicious Damage. The Dream, released in 2007 in England, featured a change of lineup; joining the Orb were Youth, last heard on the hit single “Little Fluffy Clouds,” and Dreadzone’s Tim Bran. The record appeared in 2008 on the American label Six Degrees. One year later, another volume in the Orbsessions series appeared, a soundtrack recorded by Paterson and Thomas Fehlmann. (Although the film’s title was Plastic Planet, the record itself was titled Baghdad Batteries.) Youth and Paterson collaborated again on the Orb’s next proper album, Metallic Spheres, which also featured Pink Floyd’s David Gilmour contributing guitar and lap steel to the album’s two lengthy pieces.
C Batter C The 2011 release C Batter C featured a 17-minute Paterson/Fehlmann composition recorded for Battersea Bunches, a short film featuring Super 8 Paterson family footage from 1956. Seven remixes of the track filled out the disc. The next Orb project, 2012’s The Observer in the Star House, featured a starring role for seminal dub producer and longtime Orb influence Lee “Scratch” Perry, along with a remix of “Little Fluffy Clouds,” dubbed “Golden Clouds.” After they assembled a pair of box sets, History of the Future and History of the Future, Pt. 2, Paterson and Fehlmann returned to Kompakt for Moonbuilding 2703 AD, released in 2015.
COW / Chill Out, World! In 2016, the Orb celebrated the 25th anniversary of their classic debut full-length, Adventures Beyond the Ultraworld, by performing the album in its entirety at London venue Electric Brixton. The Orb continued to perform the album live during their subsequent U.K. tour, which also included material from their Kompakt-released COW / Chill Out, World!, described by the bandmembers as their most ambient release to date. That same year, they issued a series of short releases, including the Alpine EP and the Sin in Space series, which included a Moonbuilding remix collection, an Alpine “diskomiks,” and four remixes of tracks from the COW album. – Artist Biography by John Bush

Tracklist:

1991 – The Orb – The Orbs Adventures Beyond the Ultraworld Deluxe} cd1
1991 – The Orb – The Orbs Adventures Beyond the Ultraworld Deluxe} cd2
1991 – The Orb – The Orbs Adventures Beyond the Ultraworld Deluxe} cd3
1993 – The Orb – Live 93 (CD1)
1993 – The Orb – Live 93 (CD2)
1994 – FFWD – FFWD
1995 – The Orb – Orbus Terrarum (2008 Remastered) Cd1
1995 – The Orb – Orbus Terrarum (2008 Remastered) Cd2
1997 – The Orb – Orbscure Trax: The Rare Excursions
1998 – The Orb – U.F.Off: The Best Of The Orb (CD1)
1998 – The Orb – U.F.Off: The Best Of The Orb (CD2)
2001 – VA – Auntie Aubreys Excursions Beyond the Call of Duty, Pt. 1 (CD1)
2001 – VA – Auntie Aubreys Excursions Beyond the Call of Duty, Pt. 1 (CD2)
2002 – VA – Auntie Aubreys Excursions Beyond the Call of Duty, Part 2 (CD1)
2002 – VA – Auntie Aubreys Excursions Beyond the Call of Duty, Part 2 (CD2)
2004 – The Orb – Bicycles & Tricycles
2005 – The Orb – Okie Dokie It’s The Orb On Kompakt Disco
2005 – The Orb – Orbsessions Volume One
2007 – The Orb – Orbsessions, Volume Two
2007 – The Orb – The Dream
2007 – Orb – U.F.Orb Deluxe Edition (Disc 1 – Remastered)
2007 – Orb – U.F.Orb Deluxe Edition (Disc 2 – Remixes)
2008 – The Orb – Cydonia (Remastered) CD1
2008 – The Orb – Cydonia (Remastered) CD2
2008 – The Orb – Orblivion (CD1)
2008 – The Orb – Orblivion (CD2)
2008 – The Orb – Pomme Fritz (CD1)
2008 – The Orb – Pomme Fritz (CD2) The Remixes
2008 – The Orb – The BBC Sessions 1989-2001 CD1
2008 – The Orb – The BBC Sessions 1989-2001 CD2
2009 – The Orb – Bagdad Batteries
2010 – The Orb featuring David Gilmour – Metallic Spheres (Japanese Edition) CD1
2010 – The Orb featuring David Gilmour – Metallic Spheres (Japanese Edition) CD2
2011 – The Orb – C Batter C
2012 – The Orb Feat. Lee Scratch Perry – The Observer in the Starhouse
2012 – The Orb Feat. Lee Scratch Perry – The Observer in the Starhouse (Instrumental Version)
2013 – The Orb – History Of The Future CD1
2013 – The Orb – History Of The Future CD2
2013 – The Orb And Lee Scratch Perry – Orbserving The Star House In Dub
2013 – The Orb Feat. Lee Scratch Perry – More Tales From The Orbservatory
2014 – The Orb – Further Adventures Beyond Dark Matter (Live) CD1
2014 – The Orb – Further Adventures Beyond Dark Matter (Live) CD2
2015 – The Orb – History Of The Future Part 2 (CD 1 – North Side Fire)
2015 – The Orb – History Of The Future Part 2 (CD 2 – West Side Earth)
2015 – The Orb – History Of The Future Part 2 (CD 3 – South Side Water)
2015 – The Orb – Moonbuilding 2703 AD
2016 – The Orb – COW / Chill Out, World!
2017 – The Orb – The Orbs Further Adventures Live 2016 (CD1)
2017 – The Orb – The Orbs Further Adventures Live 2016 (CD2)

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Artist: The Dandy Warhols
Album: Collection
Genre: Alternative
Year: 1995-2012
Size: ~ 3.81 GB
Source: CDs
Format: FLAC (tracks + .cue)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

The psychedelic alternative quartet the Dandy Warhols formed in Portland, Oregon in 1994. Initially, the band invited comparisons to influences the Velvet Underground and Ride, but their cool, detached demeanors and knack for melody also provided America with an answer to Brit-pop. The Dandy Warhols were founded by Courtney Taylor (vocals, guitar), Zia McCabe (keyboards), Peter Holmstrom (guitar), and Eric Hedford (drums), who signed on with the independent label Tim/Kerr shortly after their formation. In 1995, the Dandies released their debut, Dandy’s Rule OK?, and while other rock bands may be a bit hesitant to spell out their influences, the Dandy Warhols decided to openly advertise it, as the album contained such song titles as “Lou Weed” and “Ride.”
The Dandy Warhols Come Down Capitol signed the group the same year, but the Dandys’ new label rejected a second album they submitted (claiming it didn’t have any “hits”). Disappointed but undeterred, the group reunited once more with the producer of their debut album, Tony Lash, and came up with Dandy Warhols Come Down, issued in 1997. While the album didn’t exactly establish the group as a household name, it did prove to be an underground fave, especially in Europe, where the group became the toast of the critics and enjoyed more substantial commercial success. The single “Not If You Were the Last Junkie on Earth” received modest attention, for which a promo video was filmed by renowned celebrity photographer David LaChapelle. As the band’s popularity began to increase, Hedford left the band to take up DJing in Portland, and Taylor’s cousin Brent DeBoer stepped in to play drums. In 2000, the band issued its third full-length, Thirteen Tales from Urban Bohemia. “Bohemian Like You” was a hit in the UK and on American college radio, going on to become one of their most iconic songs. Two summers later, founding member Peter Holmstrom married his longtime girlfriend and took her maiden name of Loew. Taylor also got a name change when he opted to go by Courtney Taylor-Taylor after an interviewer misinterpreted the pronunciation.
Welcome to the Monkey House Within months, Taylor-Taylor, Loew, McCabe, and DeBoer were back in the studio for a fourth album. Welcome to the Monkey House (2003), a tribute to Kurt Vonnegut, Jr.’s book of short stories, featured collaborations with Nile Rodgers, Duran Duran’s Nick Rhodes, and Evan Dando. The Dandy Warhols were also personally asked by David Bowie to be the opening act for his fall 2003 A Reality tour. That album spawned another hit for the band, the synth-disco jam, “We Used To Be Friends.” Though the band was relatively quiet during 2004, they remained prominent thanks to the fascinating documentary Dig!, which chronicled the love-hate relationship between the Dandy Warhols and the Brian Jonestown Massacre. The group returned with new music in 2005, when the uneven Odditorium or Warlords of Mars arrived that fall. Three years later, the Dandy Warhols released their sixth album, the return-to-form Earth to the Dandy Warhols, in both digital and physical formats on their own Beat the World label; the album also featured collaborations with Mark Knopfler and the Heartbreakers’ Mike Campbell. In 2009, the band decided to release a reworking of Monkey House titled The Dandy Warhols Are Sound, which, according to the band, presented their original vision of the 2003 album. 2010 saw big changes for the group, as they split with Capitol Records and released a greatest-hits from that era, which included a new track, “This Is the Tide,” the first Dandy’s song featuring DeBoer on vocals. The Dandies continued their maturation in sound with their ninth album, 2012’s This Machine. In 2013, the band rang in the 13th anniversary of their break-out third album, Thirteen Tales from Urban Bohemia, by reissuing a deluxe version of the LP and heading out on the road to perform the album live. The tour resulted in the band’s first-ever live album, Thirteen Tales from Urban Bohemia Live at the Wonder. A second live recording, Live at the X-Ray Cafe, was released by Voodoo Doughnut for Record Store Day in 2016. The EP captured their eighth gig ever from 1994. That same year, their growth continued on their ninth studio album, the patient and pastoral Distortland.

Tracklist:

1995 – The Dandy Warhols – Dandys Rule OK?
1997 – The Dandy Warhols – …The Dandy Warhols Come Down
2000 – The Dandy Warhols – Thirteen Tales From Urban Bohemia
2003 – The Dandy Warhols – Smoke it
2003 – The Dandy Warhols – Welcome To The Monkey House
2004 – The Dandy Warhols – Come on Feel the Dandy Warhols
2004 – The Dandy Warhols – The Black Album
2005 – The Dandy Warholds – Odditorium Or Warlords Of Mars
2008 – The Dandy Warhols – Earth to the Dandy Warhols
2009 – The Dandy Warhols – The Dandy Warhols Are Sound
2012 – The Dandy Warhols – This Machine

Download:

https://uploadgig.com/file/download/55b48da769448d34/1995_The_Dandy_Warhols__Dandys_Rule_OK.rar
https://uploadgig.com/file/download/37492618CCddE77e/1997_The_Dandy_Warhols__…The_Dandy_Warhols_Come_Down.rar
https://uploadgig.com/file/download/94E95B611e7322C4/2000_The_Dandy_Warhols__Thirteen_Tales_From_Urban_Bohemia.rar
https://uploadgig.com/file/download/Ba19c4B8d792d867/2003_The_Dandy_Warhols__Smoke_It.rar
https://uploadgig.com/file/download/b78Bd9a14ed07f75/2003_The_Dandy_Warhols__Welcome_To_The_Monkey_House.rar
https://uploadgig.com/file/download/7e7DdE0e27D62549/2004_The_Dandy_Warhols__Come_on_Feel_The_Dandy_Warhols.rar
https://uploadgig.com/file/download/0Cc76cecca1f7B0e/2004_The_Dandy_Warhols__The_Black_Album.rar
https://uploadgig.com/file/download/deA24332B244294c/2005_The_Dandy_Warhols__Odditorium_Or_Warlords_Of_Mars.rar
https://uploadgig.com/file/download/7295fcB04c71e1da/2008_The_Dandy_Warhols__Earth_to_the_Dandy_Warhols.rar
https://uploadgig.com/file/download/fd2fc4eB95A8BEe0/2009_The_Dandy_Warhols__The_Dandy_Warhols_Are_Sound.rar
https://uploadgig.com/file/download/8Bca66f6f3f0DbaE/2012_The_Dandy_Warhols__This_Machine.rar

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http://rapidgator.net/file/197b439c350d36e299c2690a96ffd54a/2000_The_Dandy_Warhols__Thirteen_Tales_From_Urban_Bohemia.rar.html
http://rapidgator.net/file/5f582fddc777dadd039529af2910106f/2003_The_Dandy_Warhols__Smoke_It.rar.html
http://rapidgator.net/file/29daf797eec5a18167b4a5bcd98f8726/2003_The_Dandy_Warhols__Welcome_To_The_Monkey_House.rar.html
http://rapidgator.net/file/0c9225d39ea7e8224165d6d069e89c1b/2004_The_Dandy_Warhols__Come_on_Feel_The_Dandy_Warhols.rar.html
http://rapidgator.net/file/91564ebdb550810e590071d1b810f4d1/2004_The_Dandy_Warhols__The_Black_Album.rar.html
http://rapidgator.net/file/c91cd0bd00c682243b1a24d899fd9438/2005_The_Dandy_Warhols__Odditorium_Or_Warlords_Of_Mars.rar.html
http://rapidgator.net/file/621033b9e9f3ba2ef555cf0552fe4f70/2008_The_Dandy_Warhols__Earth_to_the_Dandy_Warhols.rar.html
http://rapidgator.net/file/5f3471114291c583b5322cadb7612833/2009_The_Dandy_Warhols__The_Dandy_Warhols_Are_Sound.rar.html
http://rapidgator.net/file/cfd64249453cbeaf3954ec00dd00cb71/2012_The_Dandy_Warhols__This_Machine.rar.html

Artist: Caspian
Album: Collection
Genre: Rock
Year: 2005-2016
Size: ~ 2.63 GB
Source: CDs, Digital download
Format: FLAC (image + .cue / tracks)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

Formed in 2004, Massachusetts post-rockers Caspian soon made a big enough name for themselves that by the onset of 2005, they were opening for scene legends Mono. Made up of members Philip Jamieson (guitars, keyboards, samples), Calvin Joss (guitar, glockenspiel), Chris Friedrich (bass), Joe Vickers (drums) and — since 2007 — Erin Burke-Morgan, Caspian released their first EP, You Are the Conductor, in late 2005. That was followed by a handful of regional and national tours, culminating in a deal with Dopamine Records, which would then release the group’s first full-length endeavor, The Four Trees, in 2007. Their second LP, the critically acclaimed Tertia, saw the light of day in the latter half of 2009, and was followed by a pair of European tours, a North American tour, and even a pair of shows in China. In 2011, the band headed back into the studio to begin work on their third long-player. The resulting Waking Season was produced by Matt Bayles and received glowing praise from both the fans and the press, with Spin magazine going so far as to call it “the Best Post-Rock Album of the Year.” The following three years proved to be tumultuous for the group, with the 2013 death of founding bassist Chris Friedrich casting a shadow over their recent success, but Caspian’s tenacity ultimately won out, and in 2015 they released their long-awaited fourth studio outing Dust & Disquiet.

Tracklist:

2005 – Caspian – You Are the Conductor
2007 – Caspian – The Four Trees
2009 – Caspian – Tertia
2011 – Caspian – You Are The Conductor & The Four Trees (remastered)
2012 – Caspian – Live at Old South Church
2012 – Caspian – Waking Season
2013 – Caspian – Hymn For The Greatest Generation
2015 – Caspian – Dust and Disquiet
2016 – Caspian – Caspian (Session #2) – Audiotree Live
2016 – Caspian – Castles High, Marble Bright

Download:

https://uploadgig.com/file/download/70e7c75967703847/Caspian__2005__You_Are_the_Conductor_EP.rar
https://uploadgig.com/file/download/53b915d8c46B76c6/Caspian__2007__The_Four_Trees.rar
https://uploadgig.com/file/download/a5556239e7ae222e/Caspian__2009__Tertia.rar
https://uploadgig.com/file/download/65b12051f0436eca/Caspian__2011__You_Are_The_Conductor__The_Four_Trees_remastered.rar
https://uploadgig.com/file/download/70FDd4a8Ef239ff0/Caspian__2012__Live_At_Old_South_Church_EP.rar
https://uploadgig.com/file/download/5638496Faad8a628/Caspian__2012__Waking_Season.rar
https://uploadgig.com/file/download/653C7b0654e16b1f/Caspian__2013__Hymn_For_The_Greatest_Generation_EP.rar
https://uploadgig.com/file/download/31f2bC0d885d628e/Caspian__2015__Dust_and_Disquiet.rar
https://uploadgig.com/file/download/933235adef74eCfC/Caspian__2016__Caspian_Session_2__Audiotree_Live.rar
https://uploadgig.com/file/download/35f93EdecCd6a650/Caspian__2016__Castles_High_Marble_Bright.rar

or:

http://rapidgator.net/file/209f4a8e0fd6b7281212af92afb3e09b/Caspian__2005__You_Are_the_Conductor_EP.rar.html
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http://rapidgator.net/file/54ee4718b825f9ec322617bd5bb49ade/Caspian__2009__Tertia.rar.html
http://rapidgator.net/file/1e26ced4832df846154b70c1c179a2de/Caspian__2011__You_Are_The_Conductor__The_Four_Trees_remastered.rar.html
http://rapidgator.net/file/12652458d7ebd9f8241102837e9599f0/Caspian__2012__Live_At_Old_South_Church_EP.rar.html
http://rapidgator.net/file/dc17bb33cb0e58bc6edd7b1b9602005f/Caspian__2012__Waking_Season.rar.html
http://rapidgator.net/file/be4794823a59979fbe5617897e66ac5a/Caspian__2013__Hymn_For_The_Greatest_Generation_EP.rar.html
http://rapidgator.net/file/1e7036a056b43cbb0a2d3d3a32217b3a/Caspian__2015__Dust_and_Disquiet.rar.html
http://rapidgator.net/file/576d387041c2dc27bc533834c48d9415/Caspian__2016__Caspian_Session_2__Audiotree_Live.rar.html
http://rapidgator.net/file/ecf7aa0a6a9bab103fe67fd0ddd3a912/Caspian__2016__Castles_High_Marble_Bright.rar.html

Artist: !!! (Chk Chk Chk)
Album: Collection
Genre: Punk
Year: 1999-2017
Size: ~ 7.23 GB
Source: CDs, Digital download
Format: FLAC (tracks + .cue / tracks)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

!!!, which can be pronounced by repeating any one-syllable percussive sound three times (e.g., “chk chk chk”), formed in 1996 after the demise of the Yah Mos; while on tour, members of that post-hardcore act envisioned forming a band oriented toward danceable music, and once they returned to their native Sacramento, California, they turned the concept into an actual group. The band quickly became an eight-member ensemble: Nic Offer on vocals, Mario Andreoni on guitar, Justin van der Volgen on bass, Dan Gorman on trumpet and percussion, Tyler Pope on guitar, Allan Wilson on saxophone and percussion, Mikel Gius on drums, and Jason Racine on percussion.

Me and Guiliani Down by the School Yard!!! spent their first few years developing their groove-oriented, post-punk-indebted sound while playing local house parties. At the same time, Offer, Pope, and van der Volgen were in a dub-inflected instrumental outfit called Out Hud. After releasing a 7″ on Hopscotch and a split single with Out Hud in 1998, the two bands issued a split full-length, a 1999 release jointly sponsored by Gold Standards Laboratories (a Sacramento label) and Zum (a San Francisco zine). After extensive touring of the States, !!! released a self-titled album on GSL in December 2000. Soon after, the band reentered the studio and recorded enough material for a follow-up. Some members moved to New York, but the group remained intact and active as it booked regional tours. In 2003, the band issued Me and Giuliani Down by the School Yard (A True Story), its first release — a ringing, hypnotic single nine minutes in length — for Touch & Go. It set the tone for 2004’s politically charged Louden Up Now, mixed to bold effect by Maurice Fulton. The relatively lighthearted Myth Takes and Strange Weather, Isn’t It? (their first for new label Warp) were the band’s third and fourth albums, released respectively in March 2007 and August 2010.
Thr!!!er Before their next album, there were some major personnel shifts, as longtime member Pope departed and was replaced by bassist Rafael Cohen, and drummer Paul Quattrone joined. The group’s fifth album, Thr!!!er, was released in April of 2013 and featured production by Spoon’s Jim Eno and vocals from Sonia Moore, a onetime backing vocalist for MC Hammer. They followed it up with an EP of remixes, R!M!X!S, later that year. To prep for the next album, Offer retreated to his N.Y.C. bedroom studio, working with Cohen and eventually finishing 40 songs. They cut it down to the best 30 and hit studios in N.Y.C., Los Angeles, and Austin to record them with help from Eno again, as well as Chris Coady and Patrick Ford, though most of the album was self-produced by the band. As If was released by Warp in October of 2015.
Shake the Shudder!!!’s next album was hatched in a practice space in Barcelona, where they began working out songs during lengthy recorded jam sessions before heading back to their N.Y.C. studio with Patrick Ford, where the core group of Offer, Cohen, Quattrone, Andreoni, and Gorman was augmented by a host of guest artists like Lea Lea, Meah Pace, Nicole Fayu, Cameron Mesirow, and Molly Schnick. The songs began to come together in late 2016 when the band, unnerved and inspired by the political climate, decided to head back to the studio, strip the nearly finished tracks down to the basics, and essentially start over. They recorded 17 songs in four days, then sent them to producers Joakim, Phil Moffa, and Matt Wiggins to give them extra dancefloor punch. The resulting record, 2017’s Shake the Shudder, was the band’s slickest and most focused to date.

Tracklist:

1999 – VA – Lab Remix Series Vol. 2
2000 – !!! – !!! (Japanese Edition)
2003 – !!! – Me and Giuliani Down by the School Yard (A True Story)
2004 – !!! – Hello? Is This Thing On?
2004 – !!! – Live! Live! Live!
2004 – !!! – Louden Up Now
2004 – !!! – Louden Up Now (Japan Bonus)
2004 – !!! – Louden Up Now – Warp Records, WARPCD121X (CD1)
2004 – !!! – Louden Up Now – Warp Records, WARPCD121X (CD2)
2005 – !!! – Take Ecstasy With Me/Get Up
2007 – !!! – Must Be The Moon
2007 – !!! – Myth Takes
2007 – !!! – Myth Takes
2007 – !!! – The Moonlight EP
2007 – !!! – Yadnus EP
2010 – !!! – Jamie, My Intentions Are Bass
2010 – !!! – Strange Weather, Isn’t It?
2010 – !!! – The Most Certain Sure
2013 – !!! – And Anyway It’s Christmas
2013 – !!! – R!M!X!S
2013 – !!! – Slyd
2013 – !!! – Thr!!!er
2013 – VA – Tsugi #62 – Thr!!!er Inspirations & Influences
2015 – !!! – All U Writers
2015 – !!! – As If
2017 – !!! – Shake The Shudder

Download:

https://uploadgig.com/file/download/7D500cf12329fAdc/Chk_Chk_Chk_1999_Out_Hud____Lab_Remix_Series_Vol._2_2004_Gold_Standard_Laboratories_GSL26CD.rar
https://uploadgig.com/file/download/bf7fcdA4210b00F1/Chk_Chk_Chk_2000__2007_Beat_Records_BRC176.rar
https://uploadgig.com/file/download/f3C15b00F4c32842/Chk_Chk_Chk_2003_Me_And_Giuliani_Down_By_The_School_Yard_A_True_Story_Warp_Records_WAP_163_CD.rar
https://uploadgig.com/file/download/5594d0f635938369/Chk_Chk_Chk_2004_Hello_Is_This_Thing_On_Warp_Records_WAP176CD.rar
https://uploadgig.com/file/download/bAdd4a2e16029Eb8/Chk_Chk_Chk_2004_Live_Live_Live_Beat_Records_BRE15.rar
https://uploadgig.com/file/download/07c405a57b6246F9/Chk_Chk_Chk_2004_Louden_Up_Now_2CD_Beat_Records_BRC_95LTD.rar
https://uploadgig.com/file/download/c8f54161302822be/Chk_Chk_Chk_2004_Louden_Up_Now_2CD_Warp_Records_WARPCD121X.rar
https://uploadgig.com/file/download/f5214AA262Fd88a2/Chk_Chk_Chk_2005_Take_Ecstasy_With_Me__Get_Up_Touch_And_Go_tg287cd.rar
https://uploadgig.com/file/download/9275CfcCbbeB0625/Chk_Chk_Chk_2007_Must_Be_The_Moon_Promo_Warp_Records_none.rar
https://uploadgig.com/file/download/717486a8eCF59069/Chk_Chk_Chk_2007_Myth_Takes_2CD_Warp_Records_WARPCD154X.rar
https://uploadgig.com/file/download/D0c523ec520E502F/Chk_Chk_Chk_2007_Myth_Takes_Beat_Records_BRC378.rar
https://uploadgig.com/file/download/5822c7035eB520eB/Chk_Chk_Chk_2007_The_Moonlight_EP_Beat_Records_BRE25.rar
https://uploadgig.com/file/download/A84Ef29C8E929d18/Chk_Chk_Chk_2007_Yadnus_EP_Web_Warp_Records_WARP232D.rar
https://uploadgig.com/file/download/E74f66c2b780c5F6/Chk_Chk_Chk_2010_Jamie_My_Intentions_Are_Bass_Warp_Records_WAP310CDP.rar
https://uploadgig.com/file/download/C7e342ffab623460/Chk_Chk_Chk_2010_Strange_Weather_Isnt_It_Beat_Records_BRC261.rar
https://uploadgig.com/file/download/BfdD549a3882f97c/Chk_Chk_Chk_2010_The_Most_Certain_Sure_Web_Warp_Records_WAP306DX.rar
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Artist: Chris Brown
Album: Collection
Genre: R&B
Year: 2005-2015
Size: ~ 5.12 GB
Source: CDs
Format: FLAC (tracks + .cue)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

In November 2005, Chris Brown’s Scott Storch-produced “Run It!” — a rewrite of Usher’s “Yeah!” — topped the Billboard Hot 100, making the 16-year-old singer the first male artist in over a decade to achieve the feat with a debut single. While there was nowhere to go but down, at least in terms of chart positions, the pop-oriented R&B vocalist was only getting started. By the end of the decade, he was one of the biggest active pop stars, with a clutch of Top Ten singles and platinum albums to his credit, along with constant comparisons to Michael Jackson and several acting roles on the side. His momentum slowed little when, in 2009, he pleaded guilty to assaulting girlfriend Rihanna — one of the year’s biggest celebrity news stories. His commercial clout remained, as his successive albums regularly topped the Billboard all-genre and R&B charts.

Chris BrownBrown came from a small Virginia town called Tappahannock. Like a lot of kids born during the mid- to late ’80s, he was initially into his parents’ favorite music but eventually fell under the spell of hip-hop. Around the time he reached puberty, he discovered his singing ability and switched his focus away from MC’ing. A move to New York led to being discovered by Tina Davis, a Def Jam A&R executive who became the singer’s manager shortly after losing her position to the Sony-BMG merger. The Jive label, due in part to its track record with younger artists who had established longevity (like Britney Spears and Justin Timberlake), won the bidding war for Brown and lined up several production and songwriting heavyweights, including Jermaine Dupri, Bryan-Michael Cox, Dre & Vidal, Sean Garrett, and Storch, for his self-titled first album. An immediate Top Ten hit when it was released in 2005, Chris Brown not only featured the number one “Run It!” but two other Top Ten singles in “Yo (Excuse Me Miss)” and “Say Goodbye.” Exclusive, released in 2007 and a bit of a departure from the squeaky-clean image displayed throughout the debut, was even more successful, featuring the number one single “Kiss Kiss” and two other Top Five hits. Yet another Top Five hit came with “No Air,” a duet with Jordin Sparks that appeared on Sparks’ own self-titled album.
Graffiti In March 2009, Brown was charged with felonious assault of Rihanna — an altercation that had prevented his then-girlfriend from taking the stage at the Grammy Awards. Brown was scheduled to perform as well, but he did not appear and maintained a low profile for several months. A fairly substantial backlash resulted in Brown’s songs being pulled from rotation on several radio stations. Ultimately, however, it had little bearing on the progress of his music and acting careers; the week prior to the December release of his third album, Graffiti, the single “I Can Transform Ya” was well on its way to reaching the Top 20 of the Hot 100, and his acting roles — which had already included spots in Stomp the Yard and a recurring role on The O.C. — hadn’t shown any sign of drying up. Graffiti fell considerably short of gold-selling status, but it was nominated for a Grammy Award in the category of Best Contemporary R&B Album, and the Tank collaboration, “Take My Time,” was nominated for Best R&B Performance by a Duo or Group with Vocals.
F.A.M.E. Weeks after the 2011 Grammy Awards ceremony, Brown released his fourth album, F.A.M.E., which already had four singles on the charts. That album topped the Billboard 200 and the Hot R&B/Hip-Hop charts, and it also took the 2012 Grammy for Best R&B Album. During the ceremony, he performed a medley of “Beautiful People” (off F.A.M.E.) and “Turn Up the Music,” the latter of which previewed Fortune, his fifth album, released in May 2012 and an immediate chart-topper in the U.S. Brown toured Asia, Europe, and Africa during the rest of the year, and prepped his sixth album. A sequence of several singles that began with “Fine China” preceded X, released in September 2014, two weeks after he pleaded guilty to simple assault (for an altercation with a man, which had occurred the previous October). Less inspired by European dance-pop and more R&B-oriented than his previous release, the album included contributions from Lil Wayne, R. Kelly, Usher, Rick Ross, and Brandy, among many others. Four of its singles peaked within the R&B Top 10. Only five months after the release of X, Brown and Tyga, who had previously teamed up for one of those singles — “Loyal,” as well as the earlier “Deuces” — teamed up for Fan of a Fan: The Album. By the end of 2015, Brown released Royalty, his seventh proper album, which was propped up by the Top 20 pop hit “Back to Sleep.” The following year, “Grass Ain’t Greener” and “Party” preceded their early-2017 parent album, Heartbreak on a Full Moon.

Tracklist:

2005 – Chris Brown – Chris Brown
2006 – Chris Brown – Gimme that Remix (feat Lil’ Wayne)
2008 – Chris Brown – Exclusive – The Forever Edition
2008 – Chris Brown – Forever (Australian CDM)
2009 – Chris Brown – Graffiti
2011 – Chris Brown – F.A.M.E (Deluxe Edition)
2012 – Chris Brown – Fortune
2012 – Chris Brown – Fortune (Japanese Edition)
2015 – Chris Brown & Tyga – Fan of a Fan – The Album (Deluxe Edition)
2015 – Deorro x Chris Brown – Five More Hours

Download:

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https://uploadgig.com/file/download/693576660086605d/Chris_Brown_2006__Gimme_that_Remix_feat_Lil_Wayne.rar
https://uploadgig.com/file/download/13c38Aa83b5072c4/Chris_Brown_2008__Exclusive__The_Forever_Edition.rar
https://uploadgig.com/file/download/286e94a915E41d31/Chris_Brown_2008__Forever_Australian_CDM.rar
https://uploadgig.com/file/download/e31877f953845723/Chris_Brown_2009__Graffiti.rar
https://uploadgig.com/file/download/644632155e65D000/Chris_Brown_2011__F.A.M.E_Deluxe_Edition.rar
https://uploadgig.com/file/download/c7273Bf8f0423763/Chris_Brown_2012__Fortune.rar
https://uploadgig.com/file/download/687942B90B44e31e/Chris_Brown_2012__Fortune_Japanese_Edition.rar
https://uploadgig.com/file/download/4fd3E8df6B24563A/Chris_Brown_2014__X_Deluxe_Edition.rar
https://uploadgig.com/file/download/7f481828477d25a3/Chris_Brown_2015__Deorro_x_Chris_Brown__Five_More_Hours.rar
https://uploadgig.com/file/download/A4c719C045b98fa6/Chris_Brown_2015__Fan_of_a_Fan__The_Album_Deluxe_Edition.rar
https://uploadgig.com/file/download/F5441da5d1F5d10a/Chris_Brown_2015__Royalty_Deluxe.rar
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http://rapidgator.net/file/e595623b9e453b1e92d2e374549f4654/Chris_Brown_2015__Royalty_Japanese_Edition.rar.html

Artist: Mary J. Blige
Album: Collection
Genre: R&B
Year: 1993-2011
Size: ~ 5.57 gb
Source: CDs
Format: FLAC (image + .cue)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

When Mary J. Blige’s debut album, What’s the 411?, hit the street in July 1992, critics and fans were floored by its powerful combination of modern R&B and edgy rap production that glanced off of the pain and grit of the singer’s New York upbringing. Compared to Chaka Khan and Aretha Franklin, Blige had little in common stylistically with either of those artists, but like them, she helped adorn soul music with new flavors. With her blonde hair, self-preserving slouch, and combat boots, Blige personified street-tough beauty. As she exorcized her demons and softened her style, she remained a hero to thousands of girls growing up in the same kinds of rough places she came from. Blige continually reinvented her career by shedding the habits and influences that kept her down and matured into an expressive singer able to put the full power of her voice behind her music. Blige’s rank as “the Queen of Hip-Hop Soul” has never been disputable. Each one of the singer’s proper studio albums, released across a period that has exceeded two decades, debuted within the Top Ten of the Billboard 200. Born in the Bronx on January 11, 1971, Blige spent the first few years of her life in Savannah, Georgia before moving with her mother and older sister to the Schlobam housing projects in Yonkers, New York. Her rough life there produced more than a few scars, physical and otherwise, and Blige dropped out of high school during her junior year, instead spending time doing her friends’ hair in her mother’s apartment and hanging out. When she was at a local mall in White Plains, New York, she recorded herself singing Anita Baker’s “Caught Up in the Rapture” into a karaoke machine. The resulting tape was passed by Blige’s stepfather to Uptown Records CEO Andre Harrell. Harrell was impressed with Blige’s voice and signed her to sing backup for local acts like Father MC. In 1991, however, Sean “Puffy” Combs took Blige under his wing and began working with her on What’s the 411?, her debut album. Combs had a heavy hand in What’s the 411?, along with producers Dave Hall, Mark Morales, and Mark Rooney, and the stylish touches that they added to Blige’s unique vocal style created a stunning album that bridged the gap between R&B and rap in a way that no singer had before. Uptown tried to capitalize on the success of What’s the 411? by issuing a remixed version of it a year later, but it was only a modest success creatively and commercially. Her 1995 follow-up, My Life, again featured Combs’ handiwork, and if it stepped back stylistically from its urban roots by featuring less of a rap sound, it made up for it with its subject matter. My Life was full of street pathos and Blige’s personal pain shone through like a beacon. Her rocky relationship with fellow Uptown artist K-Ci Hailey likely contributed to the raw emotions on the album. The period following the recording of My Life was also a difficult time professionally for Blige, as she severed her ties with Combs and Uptown, hired Suge Knight as a financial advisor, and signed with MCA. However, she soon won her first (of several) Grammy awards: Best Rap Performance by a Duo or Group for “I’ll Be There for You/You’re All I Need to Get By,” a duet with Method Man. Released in 1997, Share My World marked the beginning of Blige’s creative partnership with Jimmy Jam and Terry Lewis. The album was another hit for Blige and debuted at number one on the Billboard 200. Critics soured somewhat on its more conventional soul sound, but Blige’s fans seemed undaunted. By the time her next studio album, Mary, came out in 1999, the fullness and elegance of her new sound seemed more developed, as Blige exuded a classic soul style aided by material from Elton John and Bernie Taupin, Stevie Wonder, and Lauryn Hill. Mary made it obvious that the ghetto-fabulous style and more confrontational aspects of her music were gone, while the emotive power still remained. That power also helped carry the more modern-sounding 2001 release No More Drama, a deeply personal album that remained a collective effort musically yet reflected more of Blige’s songwriting than any of her previous efforts. The Mary J. Blige on No More Drama seemed miles away from the flashy kid on What’s the 411?, yet it was still possible to see the path through her music that produced an older, wiser, but still expressive artist. In 2003 she was reunited with P. Diddy, who produced the majority of that year’s patchy Love and Life album. The Breakthrough followed two years later and was a tremendous success, spawning a handful of major singles. By the December 2006 release of Reflections (A Retrospective), The Breakthrough’s lead single, “Be Without You,” had spent nearly a year on the R&B chart, while the album’s fifth single, “Take Me as I Am,” had been on the same chart for over four months. A year later Blige came out with her eighth studio album, Growing Pains. It was her third consecutive studio album to top both the Billboard 200 and the R&B/Hip-Hop Albums charts. While on tour with Robin Thicke during 2008, Blige began working on Stronger with Each Tear, which was released near the end of the following year and came one spot short of topping the Billboard 200. My Life II…The Journey Continues (Act 1), previewed through the Eric Hudson-produced single “25/8,” followed in 2011 with appearances from Beyonc, Drake, Rick Ross, and Busta Rhymes. Like her previous nine studio albums, it reached gold status. (Her first eight surpassed gold to reach either platinum or multi-platinum status.) Her first holiday album, A Mary Christmas, was released in 2013. Early in 2014, she linked with Disclosure for an alternate version of the U.K. dance-production duo’s single “F for You.” A few months later, Blige — supported by extensive assistance from the-Dream and Christopher “Tricky” Stewart, as well as a few other associates — provided the soundtrack to the comedy Think Like a Man Too. It entered the Billboard Top 200 at number 30 and also reached the Top Ten on Billboard’s R&B/Hip Hop Albums chart. Released on Epic, rather than on her home label, it didn’t receive the typical level of promotion for a Blige album and, as a result, sold significantly less than her prior releases. Inspired by Disclosure and other genre-blurring singer/songwriters and producers who were emerging from the U.K., she recorded her 13th album in London that summer with the likes of Sam Smith, Naughty Boy, and Emeli Sand, as well as Disclosure once more. The London Sessions, her first album for Capitol, was released that November and placed two singles in the Top Ten of Billboard’s Adult R&B chart. In late 2016 and early 2017, Blige released the first singles from her next proper studio album, including the Kanye West collaboration “Love Yourself.” The parent full-length Strength of a Woman arrived in April 2017. ~ Stacia Proefrock

Tracklist:

1993 – Mary J. Blige – What’s The 411?
1993 – Mary J. Blige – What’s The 411? Remix
1995 – Mary J. Blige – My Llife
1997 – Mary J. Blige – Share My World
1999 – Mary J. Blige – Mary
2001 – Mary J. Blige – No More Drama
2003 – Mary J. Blige – Love & Life
2005 – Mary J. Blige – The Breakthrough
2006 – Mary J. Blige – Reflections (A Retrospective)
2007 – Mary J Blige – Growing Pains
2009 – Mary J. Blige – Stronger with Each Tear
2011 – Mary J. Blige – My Life II…The Journey Continues (Act 1)

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http://www.datafile.com/d/TWpZM09UTTNNVFUF9/1997_Mary_J._Blige__Share_My_World.rar
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http://www.datafile.com/d/TWpZM09UTTNNekEF9/2007_Mary_J_Blige__Growing_Pains.rar
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http://rapidgator.net/file/8ca667f0c7949564ace42aa11a0def29/1997_Mary_J._Blige__Share_My_World.rar.html
http://rapidgator.net/file/7a1298e490be5285ca9c47edbe3c0039/1999_Mary_J._Blige__Mary.rar.html
http://rapidgator.net/file/1b0c4eb0ae6fd59e315de017561d857b/2001_Mary_J._Blige__No_More_Drama.rar.html
http://rapidgator.net/file/44301ca658498f827f67ec81b856de60/2003_Mary_J._Blige__Love__Life.rar.html
http://rapidgator.net/file/e4d4c5be7af0bb81ed0f9e41470096b5/2005_Mary_J._Blige__The_Breakthrough.rar.html
http://rapidgator.net/file/e19b7ab367849093686a4e55ccdbab40/2006_Mary_J._Blige__Reflections_A_Retrospective.rar.html
http://rapidgator.net/file/2a3475160e0dfeff73539c6f9875ff47/2007_Mary_J_Blige__Growing_Pains.rar.html
http://rapidgator.net/file/a8146cf70e99639f0b3dde112534fbc8/2009_Mary_J._Blige__Stronger_with_Each_Tear.rar.html
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Artist: The Killers
Album: Collection
Genre: Alternative
Year: 2004-2013
Size: ~ 4.95 gb
Source: CDs
Format: FLAC (tracks + .cue)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

Few bands in the early 2000s rose so quickly to the forefront of pop music as the Killers. With a mix of ’80s-styled synth pop and fashionista charm, the band’s street-smart debut, Hot Fuss, became one of 2004’s biggest releases, spawning four singles and catapulting the group — particularly their dandyish, 22-year-old frontman, Brandon Flowers — into the international spotlight. Hot Fuss reveled in the garish glitz of the band’s native Las Vegas, spinning tales of androgynous girlfriends and illicit affairs to a public whose taste for revivalist dance-rock would prove to be virtually insatiable. Franz Ferdinand, Interpol, and the Bravery all benefited from such retro-minded interest, but the Killers unapologetically trumped them all — even when their sophomore effort, Sam’s Town, deemphasized the group’s new wave sensibilities in favor of something more akin to the heartland rock of Bruce Springsteen and Rattle and Hum-era U2. Brandon Flowers (vocals/keyboards), David Keuning (guitar), Mark Stoermer (bass), and Ronnie Vannucci (drums) first came together in 2002, two years before Hot Fuss introduced their band to the public. Flowers had been sacked by his former synth pop band, Blush Response, after refusing to move to Los Angeles with the rest of his bandmates. Instead, he remained in Las Vegas, where he soon met local guitarist and Oasis fanatic Keuning. The two began collaborating on material; within weeks, they’d composed their soon-to-be radio hit “Mr. Brightside.” Stoermer, a former medical courier, and Vannucci, a classical percussion major at UNLV, eventually joined the fray, and the band began playing small clubs in its hometown. A U.K. representative for Warner Bros. caught wind of the Killers’ brewing hype, and although he neglected to bring them on board the Warner roster, he did pass along their demo to the London-based indie imprint Lizard King. The British label quickly signed the Killers, who temporarily moved to the U.K. and issued a limited-edition single for “Mr. Brightside.” The Killers’ buzz had effectively traveled back across the Atlantic by fall 2003, and the band was offered a prime spot at the annual CMJ Music Marathon in New York City. A worldwide deal with Island followed shortly thereafter, positioning the Killers to join the ranks of Interpol, the Rapture, and the Strokes. Shared U.K. dates with British Sea Power and stellastarr* in 2004 gave the Killers an opportunity to showcase material from their debut album, Hot Fuss, which was released that June. “Somebody Told Me,” “Mr. Brightside,” “Smile Like You Mean It,” and “All These Things That I’ve Done” all became worldwide chart hits, and Hot Fuss peaked at number seven on the Billboard Top 200. Buoyed by such success, Flowers became a sought-after media presence, often lashing out at such groups as the Bravery for riding his band’s coattails into the mainstream. The frontman’s confidence was not unwarranted; by 2006, Hot Fuss had earned five Grammy nominations and sold over five million copies. Rather than take a break to recover from their heavy tour regime, the Killers immediately set to work on a second album. A newly built facility at the Palms Hotel and Casino in Las Vegas became the band’s studio, and legendary producers Flood and Alan Moulder (who had previously worked together with U2 and the Smashing Pumpkins) were chosen to helm the controls. Instead of mining the glamour and glitz of their hometown (as they did to a successful extent on Hot Fuss), the group instead focused on nostalgia and the demise of old-fashioned American values, citing veteran songsmith Bruce Springsteen as a chief influence. The popularity generated by leadoff single “When You Were Young” led up to the highly anticipated release of Sam’s Town in early October 2006. While the album did not match the popularity of the band’s debut, it nevertheless sold 700,000 copies worldwide during its first week, eventually spawning three U.S. singles and gaining the Killers two additional Grammy nods. Sawdust, a collection of B-sides, rarities, and remixes, followed one year later, serving as a stopgap recording between the band’s proper studio albums. The Killers then returned in 2008 with Day & Age, which eschewed the Americana tangents of Sam’s Town in favor of pop pastiches and sleek, oddball dance-rock. The band’s return to the dancefloor was emboldened by Stuart Price, a veteran producer who had previously worked with Madonna and Gwen Stefani, and the Top 40 single “Human” helped the Killers continue their commercial streak. A lengthy tour carried the band into 2009, which also saw the release of the concert album Live from the Royal Albert Hall. Solo work comprised many of the next few years, including Brandon Flowers’ Flamingo, Ronnie Vannucci’s Big Talk, and Mark Stoermer’s Another Life. After reconvening in early 2011, the band got to work on its fourth studio album, enlisting a small army of notable producers, including Daniel Lanois, Steve Lillywhite, Damian Taylor, Stuart Price, and Brendan O’Brien. The resulting Battle Born was released in September, 2012. In early 2013, the band announced that they would be releasing their first greatest-hits collection later that year. Entitled Direct Hits, the November release featured two newly recorded songs, “Shot at Night” and “Just Another Girl,” which were produced by M83 and Stuart Price, respectively. ~ Andrew Leahey

Tracklist:

2004 – The Killers – All These Things That I’ve Done
2004 – The Killers – Somebody Told Me
2005 – The Killers – Hot Fuss (Limited Edition)
2005 – The Killers – Mr. Brightside
2006 – The Killers – Sam’s Town
2006 – The Killers – Sam’s Town (Deluxe) CD1
2006 – The Killers – Sam’s Town (Deluxe) CD2
2006 – The Killers – When You Were Young -Club Mixes
2007 – The Killers – Don’t Shoot Me Santa
2007 – The Killers – Read My Mind
2007 – The Killers – Sawdust
2008 – The Killers – Day & Age {Japanese Edition}
2008 – The Killers – Human
2008 – The Killers – Joseph, Better You Than Me
2009 – The Killers – A Dustland Fairytale
2009 – The Killers – Live From The Royal Albert Hall
2009 – The Killers – Spaceman
2009 – The Killers – The World We Live In
2012 – The Killers – Battle Born (Deluxe Edition)
2012 – The Killers – Battle Born (Target Edition)
2013 – The Killers – Direct Hits

Download:

http://www.datafile.com/d/TWpZM09UTTNNek0F9/2004_The_Killers__All_These_Things_That_Ive_Done.rar
http://www.datafile.com/d/TWpZM09UTTNNelkF9/2004_The_Killers__Somebody_Told_Me.rar
http://www.datafile.com/d/TWpZM09UTTNORGMF9/2005_The_Killers__Hot_Fuss.rar
http://www.datafile.com/d/TWpZM09UTTNORGcF9/2005_The_Killers__Mr._Brightside.rar
http://www.datafile.com/d/TWpZM09UTTNOVEUF9/2006_The_Killers__Sams_Town.rar
http://www.datafile.com/d/TWpZM09UTTNOVE0F9/2006_The_Killers__Sams_Town_Limited_Edition_2CD.rar
http://www.datafile.com/d/TWpZM09UTTNOVFkF9/2006_The_Killers__When_You_Were_Young_Club_Mixes.rar
http://www.datafile.com/d/TWpZM09UTTNOVFEF9/2007_The_Killers__Dont_Shoot_Me_Santa.rar
http://www.datafile.com/d/TWpZM09UTTNOVFUF9/2007_The_Killers__Read_My_Mind.rar
http://www.datafile.com/d/TWpZM09UTTNOekEF9/2007_The_Killers__Sawdust.rar
http://www.datafile.com/d/TWpZM09UTTNOakkF9/2008_The_Killers__Day__Age_Japanese_Edition.rar
http://www.datafile.com/d/TWpZM09UTTNOak0F9/2008_The_Killers__Human.rar
http://www.datafile.com/d/TWpZM09UTTNOalUF9/2008_The_Killers__Joseph_Better_You_Than_Me_Single.rar
http://www.datafile.com/d/TWpZM09UTTNOalkF9/2009_The_Killers__A_Dustland_Fairytale.rar
http://www.datafile.com/d/TWpZM09UTTNOelUF9/2009_The_Killers__Live_From_The_Royal_Albert_Hall.rar
http://www.datafile.com/d/TWpZM09UTTNOekUF9/2009_The_Killers__Spaceman.rar
http://www.datafile.com/d/TWpZM09UTTNOekkF9/2009_The_Killers__The_World_We_Live_In.rar
http://www.datafile.com/d/TWpZM09UTTNOelkF9/2012_The_Killers__Battle_Born_Deluxe_Edition.rar
http://www.datafile.com/d/TWpZM09UTTNPRFUF9/2012_The_Killers__Battle_Born_Target_Edition.rar
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http://rapidgator.net/file/a0b8190dcf1ea551db8c2deb35436a4a/2005_The_Killers__Hot_Fuss.rar.html
http://rapidgator.net/file/0f833f92098b40b4e054f1bcc29f9af2/2005_The_Killers__Mr._Brightside.rar.html
http://rapidgator.net/file/53388f490950c6457189cb7ca2d7469d/2006_The_Killers__Sams_Town.rar.html
http://rapidgator.net/file/0ea90d5b5d16c217b333f0eb143d231c/2006_The_Killers__Sams_Town_Limited_Edition_2CD.rar.html
http://rapidgator.net/file/5299b088aebf9e9a521aaa6b94926497/2006_The_Killers__When_You_Were_Young_Club_Mixes.rar.html
http://rapidgator.net/file/1c08c6df7098412ed970d1825a04a8c5/2007_The_Killers__Dont_Shoot_Me_Santa.rar.html
http://rapidgator.net/file/4cf146bb1608eb60083b07c9ed9a6e73/2007_The_Killers__Read_My_Mind.rar.html
http://rapidgator.net/file/d35481427ec41ee8931d6737671f6c7a/2007_The_Killers__Sawdust.rar.html
http://rapidgator.net/file/bb93a009e9eb76632e47e2735a252526/2008_The_Killers__Day__Age_Japanese_Edition.rar.html
http://rapidgator.net/file/6f563441429d3cafc3ed6ed9fe9a101d/2008_The_Killers__Human.rar.html
http://rapidgator.net/file/474f7fcdb092979fc424164b40958608/2008_The_Killers__Joseph_Better_You_Than_Me_Single.rar.html
http://rapidgator.net/file/a9db56ae6ad7d0429beaf0ec3b4f7bf2/2009_The_Killers__A_Dustland_Fairytale.rar.html
http://rapidgator.net/file/98d581d05d3b5dab6ce4b7cee540ee18/2009_The_Killers__Live_From_The_Royal_Albert_Hall.rar.html
http://rapidgator.net/file/2049fa888f2866f9c0836829a38106bc/2009_The_Killers__Spaceman.rar.html
http://rapidgator.net/file/759f7ab09d5877630966e4cbdebbf3f3/2009_The_Killers__The_World_We_Live_In.rar.html
http://rapidgator.net/file/f10cd66254853c4348ccec19450bd418/2012_The_Killers__Battle_Born_Deluxe_Edition.rar.html
http://rapidgator.net/file/c2c56461126b192d8f35e5ae89b67624/2012_The_Killers__Battle_Born_Target_Edition.rar.html
http://rapidgator.net/file/8ea7ab4df8935e3c6b0eea730df5823f/2013_The_Killers__Direct_Hits.rar.html

Artist: Various Artists
Album: Ram Cafe: Collection
Genre: Lounge
Year: 2006-2016
Size: ~ 8.54 gb
Source: CDs
Format: FLAC (image + .cue)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Tracklist:

2006 – VA – Ram Cafe 1
2007 – VA – Ram Cafe 2
2008 – VA – Ram Cafe 3
2009 – VA – Ram Cafe 4
2010 – VA – Ram Cafe 5
2011 – VA – Ram Cafe 6
2012 – VA – Ram Cafe 7
2013 – VA – Ram Cafe 8
2014 – VA – Ram Cafe 9
2015 – VA – Ram Cafe 10
2016 – VA – Ram Cafe 11

Download:

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http://www.datafile.com/d/TWpZNU1USTNNREEF9/RamCafe10.rar
http://www.datafile.com/d/TWpZNU1USTNNRFUF9/RamCafe11.rar
http://www.datafile.com/d/TWpZNU1USTNNVGcF9/RamCafe2.rar
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http://www.datafile.com/d/TWpZNU1USTNOREkF9/RamCafe5.rar
http://www.datafile.com/d/TWpZNU1USTNORFEF9/RamCafe6.rar
http://www.datafile.com/d/TWpZNU1USTNOekUF9/RamCafe7.rar
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http://rapidgator.net/file/4ea5fb52a2386abad718c5ba41394764/RamCafe4.rar.html
http://rapidgator.net/file/802f6043dcd71e436b2da169f3700343/RamCafe5.rar.html
http://rapidgator.net/file/247d8d21b258c5134c9415df48b1e5a5/RamCafe6.rar.html
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Artist: Counting Crows
Album: Collection
Genre: Rock
Year: 1993-2014
Size: ~ 6.58 gb
Source: CDs
Format: FLAC (tracks + .cue)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock and Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded its debut album, August and Everything After, with T-Bone Burnett. Released in the fall, it was a dark and somber record, driven by the morose lyrics and expressive vocals of Adam Duritz. The only uptempo song, “Mr. Jones,” became their ticket to stardom, and Counting Crows enjoyed a significant amount of success throughout the ’90s and beyond.
Recovering the Satellites What made Counting Crows unique was how they were able to balance Duritz’s tortured lyrics with the sound of the late ’60s and early ’70s; it made them one of the few alternative bands to appeal to listeners who thought that rock & roll died in 1972. Recovering the Satellites followed in 1996, and “A Long December” was a Top Ten hit on both the Modern Rock and Adult Top 40 charts. The band issued the two-disc Across a Wire: Live in New York in 1998, and the following year saw the release of Counting Crows’ third studio album, This Desert Life. In the midst of recording and collaborating with Ryan Adams on his sophomore album, Gold, Duritz joined his band in the studio as well. The fruit of those sessions was the group’s Steve Lillywhite-produced fourth album, Hard Candy.
Films About Ghosts: The Best Of… The next year saw the release of the best-of Films About Ghosts, and in 2004 Counting Crows reminded fans of their ability to write a hit single with “Accidentally in Love,” which appeared on the Shrek 2 soundtrack. Two years later, New Amsterdam: Live at Heineken Music Hall, recorded from a show on February 6, 2003, was made available to the public. In 2008 the band issued Saturday Nights and Sunday Mornings, a concept record divided into two halves: the more rowdy, upbeat rock of Saturday night soundtracks and the mellow alt-country side of Sunday morning hangovers.
August and Everything After: Live at Town Hall In 2009 the band parted ways with its longtime major-label home Geffen Records, but continued to tour and write new material as feverishly as ever. Duritz struggled with mental problems and prescription drug addiction following the split with Geffen, working on solo material that he released in part online. August and Everything After: Live at Town Hall, the band’s third official live album, was released in 2011. To tide fans over until the release of an album of new material, the band offered up a collection of cover songs entitled Underwater Sunshine (Or What We Did on Our Summer Vacation) in 2012 and yet another live album, Echoes of the Outlaw Roadshow, the following year. While touring in 2013 the group started to write material for what would become its seventh album. Recorded at the end of 2013 with producer Brian Deck, Somewhere Under Wonderland saw release in September 2014.

Tracklist:

1993 – Counting Crows – August And Everything After”
1994 – Counting Crows – Children in Bloom – Live In Rome 4-28-94″
1994 – Counting Crows – Mr. Jones”
1994 – Counting Crows – Omaha”
1993-1994 – Counting Crows – Rain King (U.K. Single)”
1994 – Counting Crows – Round Here”
1996 – Counting Crows – Recovering The Satellites”
1997 – Counting Crows – Across a Wire – MTV Live From the 10 Spot”
1997 – Counting Crows – Across A Wire – VH1 Storytellers”
1999 – Counting Crows – This Desert Life”
2002 – Counting Crows – American Girls”
2002 – Counting Crows – Hard Candy”
2002 – Counting Crows – Hard Candy (UK Edition)”
2003 – Counting Crows – Big Yellow Taxi”
2003 – Counting Crows – If I Could Give All My Love (CD1)”
2003 – Counting Crows – If I Could Give All My Love (CD2)”
2004 – Counting Crows – Accidentally In Love
2006 – Counting Crows – New Amsterdam – Live At Heineken Music Hall”
2007 – Counting Crows – August And Everything After (Deluxe Edition) – Disc 1″
2007 – Counting Crows – August And Everything After (Deluxe Edition) – Disc 2″
2008 – Counting Crows – Saturday Nights & Sunday Mornings”
2012 – Counting Crows – Underwater Sunshine (Or What We Did On Our Summer Vacation)”
2014 – Counting Crows – Somewhere Under Wonderland”

Download:

http://www.datafile.com/d/TWpZNU1USTJNamcF9/1993_Counting_Crows__August_And_Everything_After.rar
http://www.datafile.com/d/TWpZNU1USTJNamsF9/1994_Counting_Crows__Children_in_Bloom__Live_In_Rome_42894.rar
http://www.datafile.com/d/TWpZNU1USTJNekEF9/1994_Counting_Crows__Mr._Jones.rar
http://www.datafile.com/d/TWpZNU1USTJNekUF9/1994_Counting_Crows__Omaha.rar
http://www.datafile.com/d/TWpZNU1USTJNekkF9/1994_Counting_Crows__Rain_King.rar
http://www.datafile.com/d/TWpZNU1USTJNek0F9/1994_Counting_Crows__Round_Here.rar
http://www.datafile.com/d/TWpZNU1USTJNemsF9/1996_Counting_Crows__Recovering_The_Satellites.rar
http://www.datafile.com/d/TWpZNU1USTJOREUF9/1998_Counting_Crows__Across_a_Wire__Live_In_New_York.rar
http://www.datafile.com/d/TWpZNU1USTJORFUF9/1999_Counting_Crows__This_Desert_Life.rar
http://www.datafile.com/d/TWpZNU1USTJORGMF9/2002_Counting_Crows__American_Girls.rar
http://www.datafile.com/d/TWpZNU1USTJOVEUF9/2002_Counting_Crows__Hard_Candy.rar
http://www.datafile.com/d/TWpZNU1USTJOVE0F9/2002_Counting_Crows__Hard_Candy_UK_Edition.rar
http://www.datafile.com/d/TWpZNU1USTJOVFUF9/2003_Counting_Crows__Big_Yellow_Taxi.rar
http://www.datafile.com/d/TWpZNU1USTJOVFkF9/2003_Counting_Crows__If_I_Could_Give_All_My_Love_CD1.rar
http://www.datafile.com/d/TWpZNU1USTJOVGcF9/2003_Counting_Crows__If_I_Could_Give_All_My_Love_CD2.rar
http://www.datafile.com/d/TWpZNU1USTJOakEF9/2004_Counting_Crows__Accidentally_In_Love.rar
http://www.datafile.com/d/TWpZNU1USTJOalEF9/2006_Counting_Crows__New_Amsterdam__Live_At_Heineken_Music_Hall.rar
http://www.datafile.com/d/TWpZNU1USTJOelEF9/2007_Counting_Crows__August_And_Everything_After_2CD_Deluxe_Edition.rar
http://www.datafile.com/d/TWpZNU1USTJOemMF9/2008_Counting_Crows__Saturday_Nights__Sunday_Mornings.rar
http://www.datafile.com/d/TWpZNU1USTJPREEF9/2012_Counting_Crows__Underwater_Sunshine_Or_What_We_Did_On_Our_Summer_Vacation.rar
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http://rapidgator.net/file/481d56ee515c589f2507f83a43b7000e/1994_Counting_Crows__Mr._Jones.rar.html
http://rapidgator.net/file/4c6188fc6cb16819a0963dbcfd5f6383/1994_Counting_Crows__Omaha.rar.html
http://rapidgator.net/file/ef4e018c48ceea914e345d3a95701209/1994_Counting_Crows__Rain_King.rar.html
http://rapidgator.net/file/c9653b322ea0665cf082d6f2dbf4a1de/1994_Counting_Crows__Round_Here.rar.html
http://rapidgator.net/file/aa92c6170c6329856a255dcbce20be91/1996_Counting_Crows__Recovering_The_Satellites.rar.html
http://rapidgator.net/file/63b18b432c9521bc2942c1d52f234cc4/1998_Counting_Crows__Across_a_Wire__Live_In_New_York.rar.html
http://rapidgator.net/file/42f7404c944b971c2227c6430668f9eb/1999_Counting_Crows__This_Desert_Life.rar.html
http://rapidgator.net/file/9921fdf3533fe90b7d338aca10d15276/2002_Counting_Crows__American_Girls.rar.html
http://rapidgator.net/file/174d04e632e45aaea11aedbbcf661f60/2002_Counting_Crows__Hard_Candy.rar.html
http://rapidgator.net/file/dc13caaedf1d74613fbeecba869e5640/2002_Counting_Crows__Hard_Candy_UK_Edition.rar.html
http://rapidgator.net/file/b541a5393feb92fd14b24909180b201e/2003_Counting_Crows__Big_Yellow_Taxi.rar.html
http://rapidgator.net/file/cca2c7a9c426155312af7ac5e880a286/2003_Counting_Crows__If_I_Could_Give_All_My_Love_CD1.rar.html
http://rapidgator.net/file/dd139fdfdc4de26d43c2f02daabbf1e4/2003_Counting_Crows__If_I_Could_Give_All_My_Love_CD2.rar.html
http://rapidgator.net/file/53c6f14bed4f06ce8f35aee2f6bcba22/2004_Counting_Crows__Accidentally_In_Love.rar.html
http://rapidgator.net/file/aa7d93f2c13f81109d2cd68c15f66dfd/2006_Counting_Crows__New_Amsterdam__Live_At_Heineken_Music_Hall.rar.html
http://rapidgator.net/file/f8c85611404ddd0777f9e46872897f34/2007_Counting_Crows__August_And_Everything_After_2CD_Deluxe_Edition.rar.html
http://rapidgator.net/file/5e9b48a67832c503bbcba21f5dd38f5e/2008_Counting_Crows__Saturday_Nights__Sunday_Mornings.rar.html
http://rapidgator.net/file/79ff72e568bd6fc45e4d48b31f810b72/2012_Counting_Crows__Underwater_Sunshine_Or_What_We_Did_On_Our_Summer_Vacation.rar.html
http://rapidgator.net/file/e3b785cf4b9640636349114f7a4dfbf4/2014_Counting_Crows__Somewhere_Under_Wonderland.rar.html

Artist: Massive Attack
Album: Collection
Genre: Trip Hop
Year: 1991-2016
Size: ~ 6.46 gb
Source: CDs, Digital download
Format: FLAC (image + .cue / tracks + .cue / tracks)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

One of the most innovative and influential groups of their generation, Massive Attack’s hypnotic sound — a darkly sensual and cinematic fusion of hip-hop rhythms, soulful melodies, dub grooves, and choice samples — informed decades worth of acclaimed dance and rock artists including Portishead, Beth Orton, Radiohead, TV on the Radio, and Tricky, a Massive Attack alumnus.

Their history dates back to 1983 and the formation of the Wild Bunch, one of the earliest and most successful sound system/DJ collectives to arrive on the U.K. music scene. Renowned for their seamless integration of a wide range of musical styles, from punk to reggae to R&B, the group’s parties quickly became can’t-miss events for the Bristol club crowd, and at the peak of their popularity they drew crowds so enormous that the local live music scene essentially ground to a halt.

Blue Lines When the Wild Bunch folded during the mid-’80s, two of its members — Andrew “Mushroom” Vowles and Grant “Daddy G” Marshall — teamed with local graffiti artist 3D (born Robert del Naja) to form Massive Attack in 1987. Another Wild Bunch alum, Nellee Hooper, split his time between the new group and his other project, Soul II Soul. The group’s first single, “Daydreaming,” appeared in 1990, featuring the sultry vocals of singer Shara Nelson and raps by Tricky, another one-time Wild Bunch collaborator. The classic “Unfinished Sympathy” followed, as did another compelling effort, “Safe from Harm.” Finally, in 1991 Massive Attack issued their debut LP, Blue Lines. While by no means a huge commercial success, the record was met with major critical praise, and was dubbed an instant classic in many quarters. Nelson, featured on many of the album’s most memorable tracks, exited for a solo career soon after, and the group then changed its name to simply “Massive” to avoid any implication of approval for the U.N.’s policy toward Iraq.
Protection After a three-year layoff, Massive Attack — their full name now properly reinstated — resurfaced with Protection. Again working with Hooper and Tricky, they also brought into the fold vocalist Nicolette, as well as Everything But the Girl’s Tracey Thorn. Three singles — “Karmacoma,” “Sly,” and the title track — were released from the LP, which was also remixed in its entirety by Mad Professor and issued as No Protection. A lengthy tour followed, and over the next several years, Massive Attack’s solo work was primarily confined to remixes for artists including Garbage. They also worked with Madonna on a track for a Marvin Gaye tribute album. Finally, to promote their appearance at the annual Glastonbury music festival, the group issued the EP Risingson during the summer of 1997.
Mezzanine The third full-length Massive Attack effort, Mezzanine, appeared in mid-1998. In addition to reggae singer Horace Andy making his third consecutive LP appearance with the group, vocal chores were handled by the Cocteau Twins’ Elizabeth Fraser and newcomer Sara Jay. Mezzanine became a hit among critics, clubs, and the college crowds, spinning successful singles such as “Teardrop” and “Inertia Creeps.” The album topped the U.K. chart and crossed into the Top 60 of the Billboard 200 in the U.S. A tour of America and Europe followed, but Vowles left the band after disagreeing with the artistic direction of Mezzanine. Del Naja and Marshall continued as a duo, later working with the likes of David Bowie and the Dandy Warhols, but Marshall later took a brief leave of absence to raise his family; producer Neil Davidge took up the slack.
100th Window In February 2003, after a five-year wait, Massive Attack released their fourth album, 100th Window, including collaborations with mainstay Horace Andy as well as Sinad O’Connor. Danny the Dog, released in 2004, marked the group’s entry into film score work and, perhaps unsurprisingly, often sounded much more like incidental background music than a typical Massive Attack release. From there, Del Naja and Davidge scored a handful of other films — In Prison My Whole Life, Battle in Seattle, and Trouble the Water, for which they earned an Oscar nomination — but their work was credited to their real names or the pseudonym 100 Suns rather than Massive Attack. The fifth Massive Attack album, Heligoland, released in 2010, featured collaborations with Horace Andy, TV on the Radio’s Tunde Adebimpe, Elbow’s Guy Garvey, and Martina Topley-Bird. Burial remixed the album’s “Paradise Circus” and the unreleased “Four Walls” for a limited 12″ release in 2011. The group returned in 2016 with a four-track EP, Ritual Spirit, on which they were joined by Tricky, Roots Manuva, and Young Fathers. Del Naja and Heligoland contributor Euan Dickinson were credited as co-producers.

Tracklist:

1991 – Massive Attack – Blue Lines
1991 – Massive – – Unfinished Sympathy
1994 – Massive Attack – Protection
1995 – Massive Attack – No Protection (Dub Mixes By Mad Professor)
1998 – Massive Attack – Inertia Creeps
1998 – Massive Attack – Mezzanine
1998 – Massive Attack – Teardrop
1998 – Massive Attack – Teardrop (Promo)
2001 – Massive Attack – Electronic Collection
2003 – Massive Attack – 100th Window
2003 – Massive Attack – Butterfly Caught
2003 – Massive Attack – Special Cases
2004 – Massive Attack – Danny The Dog
2005 – Massive Attack – Unleashed (OST)
2006 – Massive Attack – Collected (CD 1)
2006 – Massive Attack – Collected (CD 2)
2006 – Massive Attack – False Flags Promo
2006 – Massive Attack – Live with me
2009 – Massive Attack – Splitting The Atom EP
2010 – Massive Attack – Atlas Air EP
2010 – Massive Attack – Heligoland
2010 – Massive Attack – Heligoland (Japan)
2012.02.10 – Massive Attack – Movie Soundtracks
2016 – Massive Attack – Ritual Spirit
2016 – Massive attack – The spoils / Come near me

Download:

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http://www.datafile.com/d/TWpZNU1qVXpNVEEF9/1991_Massive_Attack__Unfinished_Sympathy.rar
http://www.datafile.com/d/TWpZNU1qVXpNVE0F9/1994_Massive_Attack__Protection.rar
http://www.datafile.com/d/TWpZNU1qVXpNVFEF9/1995_Massive_Attack__No_Protection_Dub_Mixes_By_Mad_Professor.rar
http://www.datafile.com/d/TWpZNU1qVXpNVEkF9/1998_Massive_Attack__Inertia_Creeps.rar
http://www.datafile.com/d/TWpZNU1qVXpNVGMF9/1998_Massive_Attack__Mezzanine.rar
http://www.datafile.com/d/TWpZNU1qVXpNVFUF9/1998_Massive_Attack__Teardrop.rar
http://www.datafile.com/d/TWpZNU1qVXpNVFkF9/1998_Massive_Attack__Teardrop_Promo.rar
http://www.datafile.com/d/TWpZNU1qVXpNakkF9/2001_Massive_Attack__Electronic_Collection.rar
http://www.datafile.com/d/TWpZNU1qVXpNak0F9/2003_Massive_Attack__100th_Window.rar
http://www.datafile.com/d/TWpZNU1qVXpNVGsF9/2003_Massive_Attack__Butterfly_Caught.rar
http://www.datafile.com/d/TWpZNU1qVXpNakEF9/2003_Massive_Attack__Special_Cases.rar
http://www.datafile.com/d/TWpZNU1qVXpNalEF9/2004_Massive_Attack__Danny_The_Dog.rar
http://www.datafile.com/d/TWpZNU1qVXpNalUF9/2005_Massive_Attack__Unleashed_OST.rar
http://www.datafile.com/d/TWpZNU1qVXpNelUF9/2006_Massive_Attack__Collected_2CD.rar
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http://rapidgator.net/file/299aeffde6e51e46210966542aaf9b39/1994_Massive_Attack__Protection.rar.html
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http://rapidgator.net/file/0be94b69a486cd9156a26e5b43d13058/1998_Massive_Attack__Inertia_Creeps.rar.html
http://rapidgator.net/file/a22690c97ad5b8627781aa448e7d7376/1998_Massive_Attack__Mezzanine.rar.html
http://rapidgator.net/file/813815290178a687a225e6d04995bbfe/1998_Massive_Attack__Teardrop.rar.html
http://rapidgator.net/file/c6d38471582d18f96468cbbed213bc97/1998_Massive_Attack__Teardrop_Promo.rar.html
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http://rapidgator.net/file/d73c64ce3cef6cc03a081ab7a41591a5/2003_Massive_Attack__100th_Window.rar.html
http://rapidgator.net/file/ebf13e99cc48519a32639c39b9cae9b3/2003_Massive_Attack__Butterfly_Caught.rar.html
http://rapidgator.net/file/8eded1169445a51294e3d5d458e8b17f/2003_Massive_Attack__Special_Cases.rar.html
http://rapidgator.net/file/8ab53172bddfe9cc88dd826a52f6da64/2004_Massive_Attack__Danny_The_Dog.rar.html
http://rapidgator.net/file/63a0bfd5720b80780e967a31c6978f64/2005_Massive_Attack__Unleashed_OST.rar.html
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Artist: The Human League
Album: Collection
Genre: Synthpop
Year: 1979-2016
Size: ~ 9.68 gb
Source: CDs, Digital download
Format: FLAC (image + .cue / tracks + .cue / tracks)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

Synth pop’s first international superstars, the Human League were among the earliest and most innovative bands to break into the pop mainstream on a wave of synthesizers and electronic rhythms, their marriage of infectious melodies and state-of-the-art technology proving enormously influential on countless acts following in their wake. The group was formed in Sheffield, England in 1977 by synth players Martyn Ware and Ian Marsh, who’d previously teamed as the duo Dead Daughters. Following a brief tenure as the Future, a period during which they added and lost synthesizer player Adi Newton and enlisted vocalist Philip Oakey, they rechristened themselves the Human League. The trio recorded a demo and played their first live dates. The slide presentations of “director of visuals” Adrian Wright quickly became a key component of their performances.

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Reproduction After they signed with the indie label Fast, the Human League issued their first single, “Being Boiled,” in 1978. A minor underground hit, it was followed by a tour in support of Siouxsie & the Banshees. After a 1979 EP, the instrumental The Dignity of Labour, the group released its first full-length effort, Reproduction, a dark, dense work influenced largely by Kraftwerk. Travelogue followed the next year and reached the U.K. Top 20. Still, internal tensions forced Ware and Marsh to quit the group in late 1980, at which time they formed Heaven 17. Their departure forced Wright to learn to play the synthesizer; at the same time, Oakey recruited bassist Ian Burden as well as a pair of teenagers, Susanne Sulley and Joanne Catherall, to handle additional vocal duties.
Dare The first single from the revamped Human League, 1981’s “Boys and Girls,” reached the British Top 50. Recorded with producer Martin Rushent, the slicker follow-up “Sound of the Crowd” fell just shy of the Top Ten. Their next single, “Love Action,” reached number three, and after adding ex-Rezillo Jo Callis, the League issued “Open Your Heart,” another hit. Still, their true breakthrough was “Don’t You Want Me.” The classic single, as well as parent album Dare!, both topped their respective charts in England, and went on to become major hits in the U.S. as well. A tour of the States followed, but new music was extremely slow in forthcoming. After a Rushent remix disc, Love and Dancing, the Human League finally issued 1983’s Fascination! EP and scored a pair of hits with “Mirror Man” and “(Keep Feeling) Fascination.”
Hysteria The much-anticipated full-length Hysteria finally surfaced in mid-1984, heralding a more forceful sound than earlier Human League releases. The record failed to match the massive success of Dare!, however, with the single “The Lebanon” earning insignificant airplay. The group soon went on indefinite hiatus, and Oakey recorded a 1985 solo LP with famed producer Giorgio Moroder titled simply Philip Oakey & Giorgio Moroder. To the surprise of many, the Human League resurfaced in 1986 with Crash, produced by the duo of Jimmy Jam and Terry Lewis. The plaintive lead single “Human” soon topped the U.S. charts, but the group didn’t capitalize on the comeback success and disappeared from the charts for the remainder of the decade.
Romantic? When the Human League finally returned in 1990 with Romantic?, their commercial momentum had again dissipated. The single “Heart Like a Wheel” barely managed to rise into the Top 40. The record was the band’s last with longtime label Virgin. As a trio consisting of Oakey, Sulley, and Catherall, they ultimately signed with the EastWest label and teamed with producer Ian Stanley for 1995’s Octopus. The album went largely unnoticed both at home and overseas, with the single “Stay with Me Tonight” issued solely in the U.K.
Secrets A resurgent interest in synth pop and post-punk during the early 2000s enabled the group’s 2001 album Secrets, which saw the group update its early sound, considerable press coverage. In 2002, previously unreleased recordings of the Future and the embryonic Human League were compiled for The Golden Hour of the Future. Steady touring continued for several years, as documented on Live at the Dome. Additionally, there were performances of Dare! in its entirety and a Steel City Tour with Heaven 17 and fellow Sheffield natives ABC. The Human League remained connected to their local roots in the studio as well. Credo, released in 2011, was produced by fellow Sheffield natives I Monster. The career-spanning anthology A Very British Synthesizer Group was issued five years later, promoted with performance dates across Europe.

Tracklist:

1979 – The Human League – Reproduction
1980 – The Human League – Travelogue
1981 – The Human League – Dare!
1981 – The Human League – Dare! (Virgin Records Ltd., Japan, VJCP-3050)
1988 – The Human League – Love Is All That Matters
1990 – Human League – Romantic?
1995 – The Human League – Filling Up With Heaven (CD1)
1995 – The Human League – Filling Up With Heaven (CD2)
1995 – The Human League – Greatest Hits
1995 – The Human League – Octupus (Warner Music UK, Japan, AMCE-794)
1995 – The Human League – One Man In My Heart (CD1)
1995 – The Human League – One Man In My Heart (CD2)
2001 – Human League – Secrets
2002 – Human League – Secrets (Japan)
2002 – The Future And The Human League – The Golden Hour Of The Future
2002 – The Human League – Dare! + Love And Dancing
2004 – The Human League – The Best Of The Human League
2005 – Human League – Hysteria
2005 – The Human League – Crash
2011 – The Human League – Credo
2011 – The Human League – Never Let Me Go (UK Promo CDS)
2011 – The Human League – Sky
2012 – The Human League – Dare / Fascination!
2012 – The Human League – Dare / Fascination! (CD2)
2014 – The Human League – Don’t You Want Me – The Collection
2016 – The Human League – A Very British Synthesizer Group (CD1)
2016 – The Human League – A Very British Synthesizer Group (CD2)

Download:

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http://www.datafile.com/d/TWpZNU1qVXpOVFEF9/2002_The_Future_And_The_Human_League__The_Golden_Hour_Of_The_Future.rar
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http://www.datafile.com/d/TWpZNU1qVXpOakEF9/2011_The_Human_League__Never_Let_Me_Go_UK_Promo_CDS.rar
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http://rapidgator.net/file/7aae142a5e6556661912b8fa2dd72493/1981_The_Human_League__Dare.rar.html
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http://rapidgator.net/file/46388d4bf680746c39d3b9fe991d9af8/1990_Human_League__Romantic.rar.html
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http://rapidgator.net/file/3aee5ec43f5e376f6d356980e634371d/2001_Human_League__Secrets.rar.html
http://rapidgator.net/file/294518dd06f33add29391f52e043fb9f/2002_Human_League__Secrets_Japan.rar.html
http://rapidgator.net/file/51e43b4a04ebed5e536c594f10396c82/2002_The_Future_And_The_Human_League__The_Golden_Hour_Of_The_Future.rar.html
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Artist: Rhino Bucket
Album: Discography
Genre: Hard Rock
Year: 1990-2017
Size: ~ 4.36 gb
Source: CDs
Format: FLAC (image + .cue)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

To put it simply, Rhino Bucket sound exactly like Bon Scott-era AC/DC, something for which the band makes no apologies. Furthermore, what could easily be passed off as mere plagiarism becomes instead a celebration of the original masterpiece thanks to Rhino Bucket’s bold-faced indifference and oftentimes fantastic songs. They also deserve some credit for coming up with one of the most original and bizarre names in rock history.

Wayne’s World Formed in Van Nuys, California in 1987 by Finnish-born transplant Georg Dolivo (Bon Scott-cloned vocals and guitar), lead guitarist Greg Fields, bassist Reeve Downes, and drummer Liam Jason, Rhino Bucket perfectly replicated AC/DC’s raw, three-chord boogie to perfection on their self-titled debut album. But while they were quickly embraced by the U.K. and European press, the band was faced with nothing but apathy and scorn in America, where they were pegged as rip-off artists and received little promotional support from their label. Despite the inclusion of one of its tracks, “Ride with Yourself,” in Mike Myers’ popular Wayne’s World movie, their aptly titled second album, 1992’s Get Used to It, also failed to make any headway, and the band was soon unceremoniously dropped by Reprise. Still they soldiered on, and in an ironic twist of fate, recruited former AC/DC skin-pounder Simon Wright to replace the departed Liam Jason for their third album, 1994’s independently released Pain. Rhino Bucket finally called it a day the following year, but eventually re-formed in 2001 with plans to record a new album. After a lengthy hiatus, the group returned in 2006 with And Then It Got Ugly, which saw Brian Forsythe of Kix taking over lead guitar duties. In 2008 the band appeared on the soundtrack of director Darren Aronofsky’s Oscar-winning sports drama The Wrestler, and the following year saw the group release their fifth studio long-player, The Hardest Town. Who’s Got Mine? dropped in 2011, followed by another olympic bout of touring that saw the band play a relentless string of shows both at home and abroad. After a short break from the studio, Rhino Bucket returned with their seventh full-length, The Last Real Rock N’ Roll, in 2017.

Tracklist:

1990 Rhino Bucket – Rhino Bucket {1990, Reprise 9 26317-2}
1990 RhinoBucket – Rhino Bucket {2015, Rock Candy CANDY283}
1992 Rhino Bucket – Get Used To It {1992, Reprise 7599-26957-2}
1992 Rhino Bucket – Get Used To It {2015, Rock Candy CANDY284}
1994 Rhino Bucket – Pain
2006 Rhino Bucket – And Then It Got Ugly
2007 Rhino Bucket – No Song Left Behind
2006 Rhino Bucket – Pain And Suffering
2009 Rhino Bucket – The Hardest Town
2010 Rhino Bucket – Whos Got Mine
2013 Rhino Bucket – Sunrise On Sunset Blvd.
2017 Rhino Bucket – The Last Real Rock N’ Roll

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